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cimen of the graphic art.] [Footnote 54: I have heard of an illustrated Clarendon (which was recently in the metropolis), that has been valued at 5000 Guineas! "a good round sum!"] [Footnote 55: One of the most striking and splendid instances of the present rage for illustration may be seen in Mr. Miller's own copy of the Historical Work of Mr. Fox, in two volumes, imperial quarto. Exclusively of a great variety of Portraits, it is enriched with the original drawing of Mr. Fox's bust from which the print, attached to the publication, is taken; and has also many original notes and letters by its illustrious author. Mr. Walter Scott's edition of Dryden has also received, by the same publisher, a similar illustration. It is on large paper, and most splendidly bound in blue morocco, containing upwards of 650 portraits.] [Footnote 56: The fine copy of Granger, illustrated by the late Mr. Bull, is now in the library of the Marquis of Bute, at Lutton. It extends to 37 atlas folio volumes, and is a repository of almost every rare and beautiful print, which the diligence of its late, and the skill, taste, and connoisseurship of its present, noble owner have brought together.] [Footnote 57: In the Memoirs of Mr. Thomas Hollis there is a series of the portraits of Milton (not executed in the best manner) done in this way; and a like series of Pope's portraits accompanies the recent edition of the poet's works by the Rev. W.L. Bowles.] There is another mode of illustrating copies by which this symptom of the Bibliomania may be known: it consists in bringing together, from different works, [by means of the scissors, or otherwise by transcription] every page or paragraph which has any connection with the character or subject under discussion. This is a useful and entertaining mode of illustrating a favourite author; and copies of works of this nature, when executed by skilful[58] hands, should be preserved in public repositories. I almost ridiculed the idea of an ILLUSTRATED CHATTERTON, in this way, till I saw Mr. Haslewood's copy, in twenty-one volumes, which rivetted me to my seat! [Footnote 58: Numerous are the instances of the peculiar use and value of copies of this kind, especially to those who are engaged in publication, of a similar nature. Oldys's interleav
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