cimen of the graphic art.]
[Footnote 54: I have heard of an illustrated Clarendon
(which was recently in the metropolis), that has been valued
at 5000 Guineas! "a good round sum!"]
[Footnote 55: One of the most striking and splendid
instances of the present rage for illustration may be seen
in Mr. Miller's own copy of the Historical Work of Mr. Fox,
in two volumes, imperial quarto. Exclusively of a great
variety of Portraits, it is enriched with the original
drawing of Mr. Fox's bust from which the print, attached to
the publication, is taken; and has also many original notes
and letters by its illustrious author. Mr. Walter Scott's
edition of Dryden has also received, by the same publisher,
a similar illustration. It is on large paper, and most
splendidly bound in blue morocco, containing upwards of 650
portraits.]
[Footnote 56: The fine copy of Granger, illustrated by the
late Mr. Bull, is now in the library of the Marquis of Bute,
at Lutton. It extends to 37 atlas folio volumes, and is a
repository of almost every rare and beautiful print, which
the diligence of its late, and the skill, taste, and
connoisseurship of its present, noble owner have brought
together.]
[Footnote 57: In the Memoirs of Mr. Thomas Hollis there is a
series of the portraits of Milton (not executed in the best
manner) done in this way; and a like series of Pope's
portraits accompanies the recent edition of the poet's works
by the Rev. W.L. Bowles.]
There is another mode of illustrating copies by which this symptom of
the Bibliomania may be known: it consists in bringing together, from
different works, [by means of the scissors, or otherwise by
transcription] every page or paragraph which has any connection with
the character or subject under discussion. This is a useful and
entertaining mode of illustrating a favourite author; and copies of
works of this nature, when executed by skilful[58] hands, should be
preserved in public repositories. I almost ridiculed the idea of an
ILLUSTRATED CHATTERTON, in this way, till I saw Mr. Haslewood's copy,
in twenty-one volumes, which rivetted me to my seat!
[Footnote 58: Numerous are the instances of the peculiar use
and value of copies of this kind, especially to those who
are engaged in publication, of a similar nature. Oldys's
interleav
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