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of some of the scarcer works of Du Chesne in Vogt's _Catalog. Libror. Rarior._, p. 248, &c., and of the life and literary labours of this illustrious man in the 7th volume of Niceron's _Memoires des Hommes Illustres_.] LIS. But what becomes of the English, Spanish, and Italian bibliographers all this while? LYSAND. The reproach of Morhof is I fear too just; namely that, although we had produced some of the most learned, ingenious, and able men in Europe--lovers and patrons of literature--yet our librarians, or university scholars, were too lazy to acquaint the world with the treasures which were contained in the several libraries around them.[113] You cannot expect a field-marshal, or a statesman in office, or a nobleman, or a rich man of extensive connections, immersed in occupations both pressing and unavoidable--doggedly to set down to a _Catalogue Raisonne_ of his books, or to an analysis of the different branches of literature--while his presence is demanded in the field, in the cabinet, or in the senate--or while all his bells, at home, from the massive outer gate to the retired boudoir, are torn to pieces with ringing and jingling at the annunciation of visitors--you cannot, I say, my good Lisardo, call upon a person, thus occupied, to produce--or expect from him, in a situation thus harassed, the production of--any solid bibliographical publication; but you have surely a right to expect that librarians, or scholars, who spend the greater part of their time in public libraries, will vouchsafe to apply their talents in a way which may be an honour to their patrons, and of service to their country.[114] Not to walk with folded arms from one extremity of a long room (of 120 feet) to another, and stop at every window to gaze on an industrious gardener, or watch the slow progress of a melancholy crow "making wing to the rooky wood," nor yet, in winter, to sit or stand inflexibly before the fire, with a duodecimo jest book or novel in their hands--but to look around and catch, from the sight of so much wisdom and so much worth, a portion of that laudable emulation with which the Gesners, the Baillets, and the Le Longs were inspired; to hold intimate acquaintance with the illustrious dead; to speak to them without the fear of contradiction; to exclaim over their beauties without the dread of ridicule, or of censure; to thank them for what they have done in transporting us to other times, and int
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