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who chanced to be drawn to Mrs. Frankland's first course of Bible readings, and who had listened with zest, was Phillida Callender. Phillida's was a temperament different from Mrs Frankland's. The common point at which they touched was religious enthusiasm. Mrs. Frankland's enthusiasms translated themselves instantly into eloquent expression; she was an instrument richly toned that gave forth melody of joy or sorrow when smitten by emotion. Phillida was very susceptible to her congenial eloquence, but hers was essentially the higher nature, and Mrs. Frankland's religious passion, when once it reached Phillida, was transformed into practical endeavor. Mrs. Frankland was quite content to embody her ideals in felicitous speech, and cease; Phillida Callender labored day and night to make her ideals actual. Mrs. Frankland had no inclination or qualification for grappling with such thorny problems as the Mackerelville Mission afforded. It was enough for her to play the martial music which nerved others for the strife. It often happens that the superior nature is dominated by one not its equal. Phillida did not question the superlative excellence of Mrs. Frankland, from whom she drew so many inspirations. That eloquent lady in turn admired and loved Phillida as a model disciple. Phillida drew Mrs. Hilbrough to the readings, and Mrs. Frankland bestowed on that lady all the affectionate attention her immortal soul and worldly position entitled her to, and under Mrs. Frankland's influence Mrs. Hilbrough became more religious without becoming less worldly. For nothing could have seemed more proper and laudable to Mrs. Hilbrough than the steady pursuit of great connections appropriate to her husband's wealth. Mrs. Frankland's imagination had been moved by her success. It was not only a religious but a social triumph. Some of the rich had come, and it was in the nature of an orator of Mrs. Frankland's type to love any association with magnificence. Her figures of speech were richly draped; her imagination delighted in the grandiose. The same impulse which carried her easily from drab Quakerism to stained-glass Episcopalianism now moved her to desire that her ministry might lead her to the great, for such an association seemed to glorify the cause she had at heart. She did not think of her purpose nakedly; she was an artist in drapery, and her ideas never presented themselves in the nude; she was indeed quite incapable of seeing th
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