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sonages, and the brilliant way in which the situations were concentrated, as it were, into a point, that produced such striking effect: without these adjuncts the Head of the Club and his friends would have been more or less abstractions, very much what the characters in Theodore Hook's "Gilbert Gurney" are. Take Mr. Pickwick. The author supplied only a few hints as to his personal appearance--he was bald, mild, pale, wore spectacles and gaiters; but who would have imagined him as we have him now, with his high forehead, bland air, protuberant front. The same with the others. Mr. Thackeray tried in many ways to give some corporeal existence to his own characters to "Becky," Pendennis, and others; but who sees them as we do Mr. Pickwick? So with his various "situations"--many most dramatic and effective, but no one would guess it from the etchings. The Pickwick scenes all tell a story of their own; and a person--say a foreigner--who had never even heard of the story would certainly smile over the situations, and be piqued into speculating what could be the ultimate meaning. At the exhibition "illustrating a century and a half of English humorists," given by the Fine Art Society--under the direction of Mr. Joseph Grego--in October, 1896, there was a collection of original Pickwick drawings no less than fifty-six in number. There were three by Seymour, two by Bass and thirty-four by Phiz, all used in the book; while of those unused--probably found unsuitable, there were five by Buss, including a proposed title-page, and two of the Fat Boy "awake on this occasion only." There were also five by Phiz, which were not engraved, and one by Leech. The drawing of the dying clown, Seymour was engaged upon when he committed suicide. Of Buss' there were two of Mr. Pickwick at the Review, two of the cricket match, two of the Fat Boy "awake," "the influence of the salmon"--unused, "Mr. Winkle's first shot"--unused, studies of character in Pickwick, and a study for the title-page. The poor, discarded Buss took a vast deal of pains therefore to accomplish his task. Of Phiz's unused designs there was "Mr. Winkle's first shot" and two for the Gabriel Grub story, also one for "the Warden's room." Most interesting of all was his "original study" for the figure of Mr. Pickwick. Mr. Grego, himself an excellent artist, placed at the door of the society a very telling figure of Mr. Pickwick displayed on a poster and effectively col
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