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in _Punch_. The late Sir John Millais and other artists of almost equal rank used to furnish illustrations to serial stories, and all their pictures were of this kind--two or three figures--well drawn, certainly--one standing, the others sitting down, it may be, engaged in conversation. This brought us "no forrarder" and supplied no dramatic interest. It should be said, however, that it is only to "Pickwick" that this high praise can be extended. With every succeeding story the character of the work seemed to fall off, or rather the methods of the artist to change. It may have been, too, the inspiration from a dramatic spirited story also failed, for "Boz" had abandoned the free, almost reckless style of his first tale. There was a living distinctness, too, in the Pickwickian _coterie_, and every figure, familiar and recognizable, seemed to have infinite possibilities. The very look of them would inspire. In this spirit of vitality and reality also, "Phiz" rather suggests a famous foreign illustrator, Chodowiecki, who a century ago was in enormous request for the illustration of books of all kinds, and whose groups and figures, drawn with much spirit and roundness, arrested the eye at once and told the situation. Later "Phiz" fell off in his work and indeed adopted quite new and more commercial methods, such as would enable him to get through the vast amount of work that came to him. There were no longer these telling situations to limn which spoke for themselves, and without straw, bricks are not to be made. In this later manner we seem to have bid adieu to the inspiration--to the fine old _round_ style of drawing--where the figures "stand out" completely. He adopted a sort of sketchy fashion; his figures became silhouettes and quite flat. There was also a singular carelessness in finish--a mere outline served for a face. The result was a monotony and similarity of treatment, with a certain unreality and grotesqueness which are like nothing in life. In this, however, he may have been inspired by the grotesque personages he was put to illustrate--the Smallweeds and the like. It would be an interesting speculation to consider what would have become of "Pickwick" had this artist not been forthcoming. Would we have really known our Mr. Pickwick and his "followers" as we do now, or, indeed, would we have so keenly appreciated the humorous situations? I believe not. It was the graven figures of these per
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