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ke up for it by working at my novel. It refused to materialize. I felt, like the man in the fable, as if some one had played a mean trick on me, and substituted for my brain a side order of cauliflower. By no manner of means could I get the plot to shape itself. I could not detach my mind from my own painful case. Instead of thinking of my characters, I sat in my chair and thought miserably of Phyllis. The only progress I achieved was with my villain. I drew him from the professor and made him a blackmailer. He had several other social defects, but that was his profession. That was the thing he did really well. It was on one of the many occasions on which I had sat in my room, pen in hand, through the whole of a lovely afternoon, with no better result than a slight headache, that I bethought me of that little paradise on the Ware Cliff, hung over the sea and backed by green woods. I had not been there for sometime, owing principally to an entirely erroneous idea that I could do more solid work sitting in a straight, hard chair at a table than lying on soft turf with the sea wind in my eyes. But now the desire to visit that little clearing again drove me from my room. In the drawing-room below, the gramophone was dealing brassily with "Mister Blackman." Outside, the sun was just thinking of setting. The Ware Cliff was the best medicine for me. What does Kipling say? And soon you will find that the sun and the wind And the Djinn of the Garden, too, Have lightened the Hump, Cameelious Hump, The Hump that is black and blue. His instructions include digging with a hoe and a shovel also, but I could omit that. The sun and wind were what I needed. I took the upper road. In certain moods I preferred it to the path along the cliff. I walked fast. The exercise was soothing. To reach my favorite clearing I had to take to the fields on the left and strike down hill in the direction of the sea. I hurried down the narrow path. I broke into the clearing at a jog trot, and stood panting. And at the same moment, looking cool and beautiful in her white dress, Phyllis entered it from the other side. Phyllis--without the professor. OF A SENTIMENTAL NATURE XVII She was wearing a Panama, and she carried a sketching block and camp stool. "Good evening," I said. "Good evening," said she. It is curious how different the same words can sound when spoken by different people. M
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