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she was one of those women who do not inspire ardent passion, but who give general pleasure. So he chose to say in the retrospect, but neither his contemporary words nor actions permit us to believe that his feeling to Lotte was merely a calm regard. In the case of Lotte his situation was materially different from what it had been in the case of Friederike. He had no rival in his relations to Friederike; in his relations to Lotte he had one. Shortly after their first meeting he learned that Lotte was already betrothed, though the fact was not known to the world. The successful wooer was Johann Christian Kestner, a native of Hanover, and a Secretary of Legation settled in Wetzlar. Kestner was at every point the antithesis of his intruding rival. He was calm, deliberate, unimaginative, yet conspicuously a man of insight and character, with a fund of good sense and good temper, on which the situation made a large draft. "Kestner must be a very good man," was the frequent remark of Merck's wife in view of the relations of the three parties to each other, and Kestner's own words prove it. It is in his Letters and Diary that we have the closest glimpse of all three, and all that he says of himself, of Lotte, and of Goethe, shows a tact and good feeling that inspire esteem. [Footnote 124: This is the expression of Kestner, Lotte's betrothed.] After their first meeting at the ball, according to Goethe's own testimony, he became Lotte's constant attendant. "Soon he could not endure her absence." In her home he made himself the idol of the children; in the beautiful surrounding country they were inseparable companions--Kestner, when his avocations permitted, occasionally joining them. "So through the splendid summer," he records, "they lived a true German idyll." But the testimony of Kestner shows that the idyll was not without its discords. Goethe, he says, "with all his philosophy and his natural pride, had not such self-control as wholly to restrain his inclination.... His peace of mind suffered," and "there were various notable scenes," though Lotte showed herself a model of discretion. The situation was, in fact, an impossible one, and Goethe came to see it. Several times he made the effort to break his bonds and flee, but it was not till the beginning of September that he took the decisive step. Equally from his own and Kestner's account of the circumstances of his flight we receive the impression that his relation to
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