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s nothing to do with wives, always leave a few duties neglected for the comfort of your age. There are such a lot of other things one can do when one is young. Now, the kind of wife a young fellow of eight- or nine-and-twenty insists on selecting is something of one-and-twenty or less, inexperienced, extremely pretty, graceful, and well dressed, not too clever, accomplished; but I need not go on, for the youthful reader can fill in the picture himself from his own ideal. Every young man has his own ideal, as a matter of course, and they are all exactly alike. Now, I do not intend to repeat all the stale old saws of out-of-date wiseacres. Most of them are even more foolish than the follies they reprove. Take, for instance, the statement that "beauty fades." Absurd; everyone knows perfectly well that, as the years creep on, beauty simply gets more highly coloured. And then, "beauty is only skin-deep." Fantastically wrong! Some of it is not that; and, for the rest, is a woman like a toy balloon?--just a surface? To hear that proverb from a man is to know him at once for a phonographic kind of fool. The fundamental and enduring grace of womanhood goes down to the skeleton; you cannot have a pretty face without a pretty skull, just as you cannot have one without a good temper. Yet all the same there is an excellent reason why one should shun beauty in a prospective wife, at anyrate obvious beauty--the kind of beauty people talk about, and which gets into the photographers' windows. The common beautiful woman has a style of her own, a favourite aspect. After all, she cannot be perfect. She comes upon you, dazzles you, marries you; there is a time of ecstasy. People envy you, continue to envy you. After a time you envy yourself--yourself of the day before yesterday. For the imperfection, the inevitable imperfection--in one case I remember it was a smile--becomes visible to you, becomes your especial privilege. That is the real reason. No beauty is a beauty to her husband. But with the plain woman--the thoroughly plain woman--it is different. At first--I will not mince matters--her ugliness is an impenetrable repulse. Face it. After a time little things begin to appear through the violent discords: little scraps of melody--a shy tenderness in her smile that peeps out at you and vanishes, a something that is winning, looking out of her eyes. You find a waviness of her hair that you never saw at the beginning, a certain surpri
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