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The Project Gutenberg EBook of The Secret City, by Hugh Walpole This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Secret City Author: Hugh Walpole Release Date: May 14, 2004 [EBook #12349] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE SECRET CITY *** Produced by Charles Aldarondo, Jeremy Eble and the Online Distributed Proofreading Team. BY HUGH WALPOLE _STUDIES IN PLACE_ THE SECRET CITY THE DARK FOREST THE GOLDEN SCARECROW THE WOODEN HORSE MARADICK AT FORTY THE GODS AND MR. PERRIN _TWO PROLOGUES_ THE PRELUDE TO ADVENTURE FORTITUDE _THE RISING CITY_ 1. THE DUCHESS OF WREXE 2. THE GREEN MIRROR THE SECRET CITY A NOVEL IN THREE PARTS BY HUGH WALPOLE AUTHOR OF "FORTITUDE," "THE DARK FOREST," "THE DUCHESS OF WREXE," ETC. NEW YORK GEORGE H. DORAN COMPANY COPYRIGHT, 1919 BY GEORGE H. DORAN COMPANY PRINTED IN THE UNITED STATES OF AMERICA TO MAJOR JAMES ANNAND (15TH BATTALION 48TH HIGHLANDERS, C.E.F.) IN RETURN FOR THE GIFT OF HIS FRIENDSHIP In the eastern quarter dawn breaks, the stars flicker pale. The morning cock at Ju-nan mounts the wall and crows. The songs are over, the clock run down, but still the feast is set. The Moon grows dim and the stars are few; morning has come to the world. At a thousand gates and ten thousand doors the fish-shaped keys turn; Round the Palace and up by the Castle, the crows and magpies are flying. _Cock-Crow Song_. Anon. (1st Century B.C.). CONTENTS PART I Vera And Nina PART II Lawrence PART III Markovitch And Semyonov PART I VERA AND NINA THE SECRET CITY VERA AND NINA I There are certain things that I feel, as I look through this bundle of manuscript, that I must say. The first is that of course no writer ever has fulfilled his intention and no writer ever will; secondly, that there was, when I began, another intention than that of dealing with my subject adequately, namely that of keeping myself outside the whole of it; I was to be, in the most abstract and immaterial sense of the word, a voice, and that simply because this business of seeing Russian psychology throu
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