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Project Gutenberg's The Poetical Works of John Dryden, Vol II, by John Dryden This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Poetical Works of John Dryden, Vol II With Life, Critical Dissertation, and Explanatory Notes Author: John Dryden Release Date: March 15, 2004 [EBook #11578] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK POETICAL WORKS OF DRYDEN VOL II *** Produced by Jonathan Ingram, Jayam Subramanian and PG Distributed Proofreaders POETICAL WORKS OF JOHN DRYDEN. With Life, Critical Dissertation, and Explanatory Notes, BY THE REV. GEORGE GILFILLAN. VOL. II. M. DCCC. LV. CRITICAL ESTIMATE OF THE GENIUS AND POETICAL WORKS OF JOHN DRYDEN. In our Life of Dryden we promised to say something about the question, how far is a poet, particularly in the moral tendency and taste of his writings, to be tried--and either condemned or justified--by the character and spirit of his age? To a rapid consideration of this question we now proceed, before examining the constituent elements or the varied fruits of the poet's genius. And here, unquestionably, there are extremes, which every critic should avoid. Some imagine that a writer of a former century should be tried, either by the standard which prevails in the cultured and civilised nineteenth, or by the exposition of moral principles and practice which is to be found in the Scriptures. Now, it is obviously, so far as taste is concerned, as unjust to judge a book written in the style and manner of one age by the merely arbitrary and conventional rules established in another, as to judge the dress of our ancestors by the fashions of the present day. And in respect of morality, it is as unfair to visit with the same measure of condemnation offences against decorum or decency, committed by writers living before or living after the promulgation of the Christian code, as it would be to class the Satyrs, Priapi, and Bacchantes of an antique sculptor, with their imitations, by inferior and coarser artists, in later times. There must be a certain measure of allowance made for the errors of Genius when it was working as the galley
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