ich have Lamb's phrase,
"Joyousest of once embodied spirits," for motto, opened a circulating
library at Leamington in the name of his sons William and Henry, and
served there himself at times.
Possibly Lamb was visiting Charles Chambers at Leamington when he saw
Elliston. That he did see him there we know from Raymond's book, where
an amusing occurrence is described, illustrating Munden's frugality.
It seems that Lamb, Elliston and Munden drove together to Warwick
Castle. On returning Munden stopped the carriage just outside
Leamington, on the pretext that he had to make a call on an old
friend--a regular device, as Elliston explained, to avoid being
present at the inn when the hire of the carriage was paid.
Page 191, line 11. _Wrench_. See notes to "The Old Actors." Wrench
succeeded Elliston at Bath, and played in the same parts, and with
something of the same manner.
Page 191, line 11 from foot. _Appelles ... G.D._ Apelles, painter to
Alexander the Great, was said to let no day pass without experimenting
with his pencil. G.D. was George Dyer, whom we first met in "Oxford in
the Vacation."
Page 192, line 6. _Ranger_. In Hoadley's "Suspicious Husband," one of
Elliston's great parts.
Page 192, line 17 from foot. _Cibber_. Colley Cibber (1671-1757), the
actor, who was a very vain man, created the part of Foppington in
1697--his first great success.
Page 192, last line. _St. Dunstan's ... punctual giants._ Old St.
Dunstan Church, in Fleet Street, had huge figures which struck the
hours, and which disappeared with the church, pulled down to make room
for the present one some time before 1831. They are mentioned in Emily
Barton's story in _Mrs. Leicester's School_ (see Vol. III.). Moxon
records that Lamb shed tears when the figures were taken away.
Page 193, line 6. _Drury Lane_. Drury Lane opened, under Elliston's
management, on October 4, 1819, with "Wild Oats," in which he played
Rover. He left the theatre, a bankrupt, in 1826.
Page 193, line 19. _The ... Olympic._ Lamb is wrong in his dates.
Elliston's tenancy of the Olympic preceded his reign at Drury Lane.
It was to the Surrey that he retired after the Drury Lane period,
producing there Jerrold's "Black-Eyed Susan" in 1829.
Page 193, line 12 from foot. _Sir A---- C----_. Sir Anthony Carlisle
(see note to "A Quakers' Meeting").
Page 194, line 7. _A Vestris_. Madame Vestris (1797-1856), the great
comedienne, who was one of Elliston's stars at Drur
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