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time in that house he felt like an intruder. Jack Brinsmade bowed with great ceremony, and took his departure. There was scarcely a distant cordiality in the greeting of the other young men. And Puss, whose tongue was loosed again, talked rapidly of entertainments to which Stephen either had not been invited, or from which he had stayed away. The rest of the company were almost moodily silent. Profoundly depressed, Stephen sat straight in the velvet chair, awaiting a seasonable time to bring his visit to a close. This was to be the last, then, of his intercourse with a warmhearted and lovable people. This was to be the end of his friendship with this impetuous and generous girl who had done so much to brighten his life since he had come to St: Louis. Henceforth this house would be shut to him, and all others save Mr. Brinsmade's. Presently, in one of the intervals of Miss Russell's feverish talk, he rose to go. Dusk was gathering, and a deep and ominous silence penetrated like the shadows into the tall room. No words came to him. Impulsively, almost tearfully, Puss put her hand in his. Then she pressed it unexpectedly, so that he had to gulp down a lump that was in his throat. Just then a loud cry was heard from without, the men jumped from their chairs, and something heavy dropped on the carpet. Some ran to the window, others to the door. Directly across the street was the house of Mr. Harmsworth, a noted Union man. One of the third story windows was open, and out of it was pouring a mass of gray wood smoke. George Catherwood was the first to speak. "I hope it will burn down," he cried. Stephen picked up the object on the floor, which had dropped from his pocket, and handed it to him. It was a revolver. End of Project Gutenberg's The Crisis, Volume 4, by Winston Churchill *** END OF THIS PROJECT GUTENBERG EBOOK THE CRISIS, VOLUME 4 *** ***** This file should be named 5391.txt or 5391.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/5/3/9/5391/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set for
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