--If there's
pus, you operate. Just take 'em out. Seen the newspaper? What the devil
did Bea do with it?"

She did not try again.

III

They had gone to the "movies." The movies were almost as vital
to Kennicott and the other solid citizens of Gopher Prairie as
land-speculation and guns and automobiles.

The feature film portrayed a brave young Yankee who conquered a South
American republic. He turned the natives from their barbarous habits of
singing and laughing to the vigorous sanity, the Pep and Punch and
Go, of the North; he taught them to work in factories, to wear Klassy
Kollege Klothes, and to shout, "Oh, you baby doll, watch me gather
in the mazuma." He changed nature itself. A mountain which had borne
nothing but lilies and cedars and loafing clouds was by his Hustle so
inspirited that it broke out in long wooden sheds, and piles of iron
ore to be converted into steamers to carry iron ore to be converted into
steamers to carry iron ore.

The intellectual tension induced by the master film was relieved by a
livelier, more lyric and less philosophical drama: Mack Schnarken and
the Bathing Suit Babes in a comedy of manners entitled "Right on the
Coco." Mr. Schnarken was at various high moments a cook, a life-guard,
a burlesque actor, and a sculptor. There was a hotel hallway up which
policemen charged, only to be stunned by plaster busts hurled upon them
from the innumerous doors. If the plot lacked lucidity, the dual motif
of legs and pie was clear and sure. Bathing and modeling were equally
sound occasions for legs; the wedding-scene was but an approach to the
thunderous climax when Mr. Schnarken slipped a piece of custard pie into
the clergyman's rear pocket.

The audience in the Rosebud Movie Palace squealed and wiped their eyes;
they scrambled under the seats for overshoes, mittens, and mufflers,
while the screen announced that next week Mr. Schnarken might be seen
in a new, riproaring, extra-special superfeature of the Clean Comedy
Corporation entitled, "Under Mollie's Bed."

"I'm glad," said Carol to Kennicott as they stooped before the northwest
gale which was torturing the barren street, "that this is a moral
country. We don't allow any of these beastly frank novels."

"Yump. Vice Society and Postal Department won't stand for them. The
American people don't like filth."

"Yes. It's fine. I'm glad we have such dainty romances as 'Right on the
Coco' instead."

"Say what in heck do you thi