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1 he administered the colony with success, and named the rising seaport of Algoa Bay Port Elizabeth in memory of his wife. In 1821 he became lieutenant-general and G.C.H. The rest of his life was spent in literary and political work. He was one of the original fellows of the Royal Geographical Society, and was a member of the Royal Society and of many other learned bodies. His theories as to the course of the river Niger, published under the title _Dissertation on the Course and Probable Termination of the Niger_ (London, 1829), involved him in a good deal of controversy. From 1832 onwards he sat in the House of Commons, and in 1835 was made surveyor-general of the ordnance. He committed suicide at Southampton in 1841. He was then a general, and colonel of the 11th Foot. See Jerdan, _National Portraits_, vol. iii.; _Gentleman's Magazine_, xcii. i. 273. DONNAY, CHARLES MAURICE (1859- ), French dramatist, was born of middle-class parents in Paris in 1859. He made his serious debut as a dramatist on the little stage of the Chat Noir with _Phryne_ (1891), a series of Greek scenes. _Lysistrata_, a four-act comedy, was produced at the Grand Theatre in 1892 with Mme Rejane in the title part. Later plays were _Folle Entreprise_ (1894); _Pension de famille_ (1894); _Complices_ (1895), in collaboration with M. Groselande; _Amants_ (1895), produced at the Renaissance theatre with Mme Jeanne Granier as Claudine Rozeray; _La Douloureuse_ (1897); _L'Affranchie_ (1898); _Georgette Lemeunier_ (1898); _Le Torrent_ (1899), at the Comedie Francaise; _Education de prince_ (1900); _La Clairiere_ (1900), and _Oiseaux de passage_ (1904), in collaboration with L. Descaves; _La Bascule_ (1901); _L'Autre danger_, at the Comedie Francaise (1902); _Le Retour de Jerusalem_ (1903); _L'Escalade_ (1904); and _Paraitre_ (1906). With _Amants_ he won a great success, and the play was hailed by Jules Lemaitre as the _Berenice_ of contemporary French drama. Very advanced ideas on the relations between the sexes dominate the whole series of plays, and the witty dialogue is written with an apparent carelessness that approximates very closely to the language of every day. DONNE, JOHN (1573-1631), English poet and divine of the reign of James I., was born in 1573 in the parish of St Nicholas Olave, in the city of London. His father was a wealthy merchant, who next year became warden of the Company of Ironmongers, but died early in 1576.
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