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mals follow this; the myriads of unawakened men and women follow this; the products of this are used for every waste and violence. Nature brings them in, and then destructive principles play upon them. They are dealt with in great numbers, because individuals have not emerged. They have slain them twenty thousand the day in Europe of late--the bodies of men whose mothers in the main have followed the blind forces of Nature, and no more. Nature will replenish these losses. Perceive, too: The many have not even sensed the beauties of Nature. This physical being of ours which the Old Mother has raised from the earth that a God might be built within it--even the beauty of this is not yet fulfilled--much less the powers of the mind which we have touched--much less that radiance of spirit which has made our highest moments together so memorable. ... You would be mothers--that is the highest of the arts. The making of books is childish and temporal compared to that. Mothering of men--that is the highest art.... Yet we do not make books blindly. For years we labour and watch the world; for years we gather together our thoughts and observations of men and Nature; studiously we travel and willingly at last we learn to suffer. Suffering brings it all home to us; suffering connects together all our treasures, so that we see their inter-relations and our meaning to them all. At last (and this, if we have been called in the beginning) we dare to write our book. It fails. Again and again we fail--that is the splendid unifying force, working upon us. So far, we have only brought into the world our half-gods. Failures melt us into the solution of the world.... We have learned to welcome suffering now; we have detached ourselves from the shams that the world can give. We have learned that the world cannot pay in kind for any noble action--that the spirit of human hearts alone can answer any great striving.... We go apart to the wildernesses to listen. In the summit of our strength, the voice begins to speak--the _Guru's_ voice. We are but instruments for the making of books. We are but listening surfaces for the voice to play upon. At last and at best, we have merely made ourselves fine enough to be used. Then our book is done. We have no part in it afterward. If we have done well, the world will serve it in God's good time.... And that is the low and the temporal art. Mere bodies of books come into the world in thousands. They move
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