FREE BOOKS

Author's List




PREV.   NEXT  
|<   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28  
29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   >>   >|  
of together, and the best critics of antiquity mention them with high commendation and respect. Of the first, much less is known than of the other two. He is nowhere, that we know of, spoken of directly, but often collaterally. He is sometimes coupled with Ennius--the praise of invention is generally allowed him, and his name is brought forward by Horace rather for the purpose of marking an aera than of giving an opinion of his talents. Ambigitur quoties uter utro fit prior; aufert Pacuvius docti famam senis, Actius alti: Dicitur Alfrani toga convenisse Menandro; Plautus ad exemplar siculi properare Epicharmi, Vincere Coecilius gravitate, Terentius arte Hos ediscit, et hos areto stipata theatro Spectat Roma potens: habet nos numeratque poetas Ad nostrum tempus, LIVI scriptoris ab aevo.[C] From which lines it appears that in the time of Horace learning was considered to be the characteristic feature of Pacuvius and loftiness of thought that of Accius; and Quintilian speaks of both in the following terms. "Those splendid writers combined sublimity of conception with vigorous style in their tragedies; and on the whole if they have not diffused through their compositions more gracefulness, it was not their fault, but the fault of the age they lived in." Unquestionably the first dramatic poets of Rome laboured under great disadvantages. They had not only to form a drama, but to mould to a taste for the reception of it a barbarous people, whose softest and most luxurious enjoyments partook of that ferocity which rendered that race terrible in the eyes of the world, but to the philosophic mind not truly great--never, in the slightest measure, amiable or estimable. Nature, moreover, had been ransacked by the Greek poets, so that nothing but imitation was left for the Romans, who in letters, science, or arts, and particularly in the drama, attained no excellence but in proportion as they copied their Grecian predecessors. Even their copies are allowed by their own best authors to be wretched productions when compared with the works of the great originals.[D] Compared with Menander Terence was frigid and unaffecting, in sublimity even Accius was incomparably inferior to Eschylus, Pacuvius in philosophic knowledge to Euripides, and the whole body of the tragic writers of Rome, including Seneca, sink when put in competition with Sophocles. A poet of the name of Seneca wrote some tragedies-
PREV.   NEXT  
|<   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28  
29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   >>   >|  



Top keywords:

Pacuvius

 

philosophic

 

Horace

 

allowed

 
writers
 

Seneca

 

tragedies

 

sublimity

 

Accius

 

luxurious


enjoyments

 

people

 

softest

 
partook
 
terrible
 
barbarous
 

rendered

 

ferocity

 

diffused

 

gracefulness


disadvantages

 

slightest

 

laboured

 
Unquestionably
 

compositions

 

dramatic

 
reception
 
Terence
 

Menander

 
frigid

unaffecting
 

incomparably

 
Compared
 

productions

 
wretched
 

compared

 

originals

 
inferior
 

Eschylus

 

Sophocles


competition

 
Euripides
 

knowledge

 

tragic

 
including
 

authors

 

imitation

 

Romans

 
ransacked
 

estimable