d by what he
describes as "attractive features" of proposal to raise fresh revenue.
It is simply the levying of a special tax on all persons using titles.
Idea not absolutely new. Principle established in case of citizens
displaying crest or coat-of-arms. What is novel is suggested method of
taxation. Differing from the dog-tax, levied at a common rate, it is
proposed that our old nobility shall, in this fresh recognition of their
lofty estate, be dealt with on a sliding scale. A duke will have his
pre-eminence recognised by an exceptionally high rate of taxation.
Marquises, earls and a' that will be mulct on a descending scale, till
the lowly knight is reached. He will be compensated for comparative
obscurity in the glittering throng by being let off for a nominal sum.
Chancellor fears it is too late to adopt proposal this year, a way of
putting it which seems to suggest that we may hear more of it in next
year's Budget.
_Business done._--Hayes Fisher's Amendment to Budget Bill negatived by
303 votes to 265. Reduction of Ministerial majority to 38 hailed with
boisterous burst of cheers and counter-cheers.
* * * * *
[Illustration: Garden City Washing-day.
Our sensitive artist insists on a harmonious colour-scheme.]
* * * * *
The Lord Mayor (on hearing a certain Peel): "Turn again (in your grave),
Whittington."
* * * * *
New song for old Cantabs.:--
"O. B., what can the mate be?"
* * * * *
RUS IN URBE.
No, this is not the Russian ballet. It is the English Folk Dance
Society, and their performances at the Royal Horticultural Hall at
Westminster the other day showed that the Russian ballet is not to have
things all its own way. I am not going to moralise upon the salacious
quality of some of the themes of our exotic visitors, but certainly it
would be difficult to find a stronger contrast to their ruling passion
than is presented by the purity and simplicity of these country dances.
"Sellinger's Bound," danced to an air that lulled _Titania_ to sleep all
through the winter at the Savoy, was the most popular, with its ring of
a dozen dancers, hands joined, running together into the centre of their
circle, as if to honour some imaginary deity--possibly Mr. Cecil Sharp,
director of the Society, who has collected and revived the airs to which
they dance.
Then there wer
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