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phenomenon called the "movable break," which has puzzled so many in their investigations of the registers of the child's voice. The constant, though of course extremely slow, hardening of the cartilaginous portions of the larynx, and the steady increase in the strength of its muscles and ligaments is not in the least inconsistent with the previously noted fact, that the vocal bands during this time increase to no appreciable extent in length; for, it may be observed, after the change of voice, which often occurs with great rapidity, and during which the vocal bands increase to double their previous length in males, that, though the pitch of the voice, owing to increased length of the bands, suddenly lowers, yet not until full maturity is reached, do the laryngeal cartilages attain that rigidity, or the vocal bands that ready elasticity essential to the production of pure, resonant voice. Yet, during these years, while the voice is developing, the vocal bands remain unchanged in _length_. Even in those cases where the voice changes slowly in consequence of the slow growth in length and thickness of the vocal cords, it takes several years, after laryngeal development has ceased, for the voice to attain its full size and resonance. Furthermore, the continual increase in strength and firmness of the larynx from six years onward to puberty, is consistent with the constant growth in strength and firmness of tissue characterizing the entire body. It is again proven by the continual improvement in the power and timbre of the tone through this period, always premising, be it understood, that the voice is used properly, and never forced beyond its natural capabilities. The voice, at the age of eleven or twelve, is far stronger, and is capable of more sustained effort than at the age of six or seven years, and, for the year or two preceding the break of voice, the brilliance and power of boys' voices, especially in the higher tones, is often phenomenal, and in all cases is far superior to that of previous years. The resemblance between the voices of boys and girls, a resemblance which amounts to identity, save that the voices of boys are stronger and more brilliant in quality, disappears at puberty. Among the physical changes which occur at this period is a marked growth of the larynx, sufficient to alter entirely the pitch and character of the boy's voice. As a female larynx is affected to a lesser extent, the voices of gi
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