FREE BOOKS

Author's List




PREV.   NEXT  
|<   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43  
44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   >>  
rced to use the thick tones; and children of all ages, even if singing within the right compass of voice, will use the thick register if permitted to sing too loud. There is nothing particularly original in insisting upon soft singing from children. The writer has never seen a book of school music that does not mention its desirability, nor hardly a reference to the child-voice in the standard works or writings of the day of which this idea has not formed a part. The general direction "Sing softly" is good so far as it goes, but is, first, indefinite. Softly and loudly are relative terms, and subject to wide diversity of interpretation. The pianissimo of a cultivated singer is silence compared to the tone emitted by vocalists of the main strength order, when required to produce soft tone. Secondly, the direction is seldom or never found coupled with instruction upon the vocal compass of children. Hence, it does not seem very strange that the injunction "Sing softly" has not corrected vocal errors in school singing. It is not easy, it is even impossible, to accurately define soft singing, and no attempt will be made further than to describe as clearly as may be the degree of softness which it is necessary to insist upon if we would secure the use of the thin or head register. The subject of register has already been discussed, but it may not be amiss to repeat just here that in the child larynx as in the adult the head-register is that series of tones which are produced by the vibration of the thin, inner edges of the vocal band. If breathing is natural, and if the throat is open and relaxed, no strain in singing this tone is possible. It is evident in a moment that children with their thin, delicate vocal ligaments can make this tone even more easily than adult sopranos, whose vocal ligaments are longer and thicker; and it is also perfectly evident that no danger of strain to the vocal bands is incurred when this voice is used, for all the muscles and ligaments of the larynx are under far less tension than is required for the production of tones in the thick register. It must also be remembered in connection with this fact, that children often enter school at five years of age, and that according to physiologists the larynx does not reach the full growth in _size_, incidental to childhood until the age of six years. We must then be particularly careful with infant classes-- for the vocal bands of children pri
PREV.   NEXT  
|<   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43  
44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   >>  



Top keywords:

children

 

singing

 

register

 

larynx

 

school

 
ligaments
 

strain

 

subject

 
softly
 

direction


required

 

compass

 

evident

 
relaxed
 

delicate

 
secure
 

moment

 

series

 
produced
 

repeat


vibration

 

breathing

 

natural

 

discussed

 

throat

 

incurred

 

growth

 

physiologists

 
incidental
 

childhood


infant

 
classes
 

careful

 

longer

 

thicker

 

perfectly

 

sopranos

 

easily

 

danger

 

production


remembered

 

connection

 

tension

 
muscles
 

formed

 

general

 
standard
 
writings
 

loudly

 

relative