FREE BOOKS

Author's List




PREV.   NEXT  
|<   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73  
74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   >>   >|  
'Jack, boy, ho! boy, news; The cat is in the well, Let us ring now for her knell, Ding, dong, ding, dong, bell.' The music [see Appendix], like that of so many other catches, is anonymous, and is of some date long before Shakespeare. _As You_ V, iii, 7. _Touchstone._ By my troth, well met. Come, sit, sit, and a _song_. _2 Page._ We are for you; sit i' the middle. _1 Page._ Shall we _clap into 't roundly, without hawking, or spitting_, or _saying we are hoarse_, which are the _only prologues to a bad voice_? _2 Page._ I' faith, i' faith; and _both in a tune_, like two gipsies on a horse. [Song follows, 'It was a lover.' Could be sung as a _two_-part madrigal quite easily. See Bridge's 'Shakespeare Songs,' for Morley's original setting.] _Touch._ Truly, young gentlemen, though there was no great matter in the ditty, yet the _note_ was very _untuneable_. _1 Page._ You are deceived, sir; _we kept time_; we _lost not our time_. _Touch._ By my troth, _yes_; I count it but _time lost_ to hear such a foolish song. God be wi' you; and _God mend your voices_. Come, Audrey. The First Page's speech at l. 9. is most humorously appropriate. 'Both in a tune, like two gipsies on a horse,' is a quaint description of a duet. There is yet another pun on 'lost time' in ll. 36-8. Jaques' cynicism comes out even in his limited dealings with music. _As You_ IV, ii, 5. _Jaques._ Have you no _song_, forester, for this purpose? _2 Lord._ Yes, sir. _Jaq._ Sing it; _'tis no matter how it be in tune, so it make noise enough_. Song follows, 'What shall he have, that kill'd the deer,' Rimbault, p. 19. Music by Hilton, date about 1600, probably the original setting, a Round for four foresters. This section will conclude with two quotations about singing of a more serious turn. _Tw._ II, iv, 1. _Duke._ _Give me some music._--Now, good morrow, friends. Now, good Cesario, but that _piece of song_, That _old and antique song_, we heard last night; Methought, it did relieve my passion much, More than _light airs_, ... Come; but _one verse_. _Curio._ He is not here, so please your lordship, that should sing it. _Duke._ Who was it? _Cur._ Feste, the jester, my lord: ... _Duke._ Seek him out, and _play th
PREV.   NEXT  
|<   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73  
74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   >>   >|  



Top keywords:

Jaques

 

gipsies

 

matter

 

Shakespeare

 

setting

 

original

 

dealings

 

Rimbault

 

limited

 

Hilton


cynicism
 

purpose

 

forester

 
passion
 

relieve

 

lordship

 

jester

 

Methought

 
singing
 

quotations


conclude

 

foresters

 
section
 

antique

 

morrow

 
friends
 

Cesario

 

roundly

 

hawking

 

Touchstone


middle
 

spitting

 
hoarse
 
prologues
 

anonymous

 

catches

 

Appendix

 

speech

 

Audrey

 

voices


foolish
 

humorously

 

quaint

 

description

 
Morley
 

Bridge

 

madrigal

 

easily

 

gentlemen

 
deceived