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Antony and Cleop._ IV, iii, 12. Music of hautboys under the stage. _4 Soldier._ ... Peace, what noise? _1 Sold._ List, list! _2 Sold._ Hark! _1 Sold._ Music in the air. _3 Sold._ Under the earth. _4 Sold._ It signs well, does it not? _3 Sold._ No. _1 Sold._ Peace, I say! What should this mean? _2 Sold._ 'Tis the god Hercules, whom Antony lov'd, Now leaves him. A very usual popular amusement was the Masque, which would consist of a public procession with decorated cars containing the characters, accompanied by hobby horses, tumblers, and open air music. This is referred to in the next passage, where Theseus speaks of the masque as an 'abridgement' for the evening, that is, an entertainment to shorten the hours. The lamentable play of Pyramus and Thisbe follows, which, it will be noticed, has some of the main features of a masque. _Mid's Night's Dream_ V, i, 39. _Theseus._ Say, what abridgment have you for this evening? _What masque, what music?_... * * * * * [Reads from the paper] "A tedious brief scene of young Pyramus, And his love Thisbe; very tragical mirth." Merry and tragical! Tedious and brief! That is, hot ice, and wonderous strange snow. How shall we find the _concord of this discord_? In the _Merchant of Venice_, Shylock mentions the procession of a masque through the streets, forbidding Jessica to look out of the window at these 'Christian fools with varnished faces.' The music accompanying the procession is named--viz., drum and fife. _Merchant_ II, v, 22. _Lancelot._ 'You shall see a _masque_' ... _Shylock._ What! are there _masques_? Hear you me, Jessica. Lock up my doors; and _when you hear the drum_, And the _vile squeaking of the wryneck'd fife_, Clamber not you up to the casements then, Nor thrust your head into the public street To gaze on _Christian fools with varnish'd faces_. The 'vile squeaking of the wryneck'd fife' is of some musical interest. The adjective 'wryneck'd' refers, not to the instrument itself, which was straight, but to the player, whose head has to be sli
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