ow known as the "natural" manner; a revolt,
his admirers tell us, from the stilted fashion of making love that then
prevailed in novels.
'Venetia' is founded on the characters of Byron and Shelley, and is
amusing reading. The high-flown language incrusted with the gems of
rhetoric excites our risibilities, but it is not safe to laugh at
Disraeli; in his most diverting aspects he has a deep sense of humor,
and he who would mock at him is apt to get a whip across the face at an
unguarded moment. Mr. Disraeli laughs in his sleeve at many things, but
first of all at the reader.
He failed in his canvass for his seat at High Wycombe, but he turned his
failure to good account, and established a reputation for pluck and
influence. "A mighty independent personage," observed Charles Greville,
and his famous quarrel with O'Connell did him so little harm that in
1837 he was returned for Maidstone. His first speech was a failure. The
word had gone out that he was to be put down. At last, finding it
useless to persist, he said he was not surprised at the reception he had
experienced. He had begun several things many times and had succeeded at
last. Then pausing, and looking indignantly across the house, he
exclaimed in a loud and remarkable tone, "I will sit down now, but the
time will come when you will hear me."
He married the widow of his patron, Wyndham Lewis, in 1838. This put him
in possession of a fortune, and gave him the power to continue his
political career. His radicalism was a thing of the past. He had drifted
from Conservatism, with Peel for a leader, to aristocratic socialism;
and in 1844, 1845, and 1847 appeared the Trilogy, as he styled the
novels 'Coningsby,' 'Tancred,' and 'Sibyl.' Of the three, 'Coningsby'
will prove the most entertaining to the modern reader. The hero is a
gentleman, and in this respect is an improvement on Vivian Grey, for his
audacity is tempered by good breeding. The plot is slight, but the
scenes are entertaining. The famous Sidonia, the Jew financier, is a
favorite with the author, and betrays his affection and respect for
race. Lord Monmouth, the wild peer, is a rival of the "Marquis of
Steyne" and worthy of a place in 'Vanity Fair'; the political intriguers
are photographed from life, the pictures of fashionable London tickle
both the vanity and the fancy of the reader.
'Sibyl' is too clearly a novel with a motive to give so much pleasure.
It is a study of the contrasts between the
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