arcely out of sight before the little black tadpoles are
hatched and playing about. They were but waiting for the contact of the
water in order to burst their shells.

Among the singers in the July gloaming, one alone, were he able to vary
his notes, could vie with the Toad's harmonious bells. This is the
little Scops-owl, that comely nocturnal bird of prey, with the round
gold eyes. He sports on his forehead two small feathered horns which
have won for him in the district the name of Machoto banarudo, the
Horned Owl. His song, which is rich enough to fill by itself the still
night air, is of a nerve-shattering monotony. With imperturbable and
measured regularity, for hours on end, "kew, kew," the bird spits out
its cantata to the moon.

One of them has arrived at this moment, driven from the plane-trees in
the square by the din of the rejoicings, to demand my hospitality. I
can hear him in the top of a cypress near by. From up there, dominating
the lyrical assembly, at regular intervals he cuts into the vague
orchestration of the Grasshoppers and the Toads.

His soft note is contrasted, intermittently, with a sort of Cat's mew,
coming from another spot. This is the call of the Common Owl, the
meditative bird of Minerva. After hiding all day in the seclusion of a
hollow olive-tree, he started on his wanderings when the shades of
evening began to fall. Swinging along with a sinuous flight, he came
from somewhere in the neighbourhood to the pines in my enclosure,
whence he mingles his harsh mewing, slightly softened by distance, with
the general concert.

The Green Grasshopper's clicking is too faint to be clearly perceived
amidst these clamourers; all that reaches me is the least ripple, just
noticeable when there is a moment's silence. He possesses as his
apparatus of sound only a modest drum and scraper, whereas they, more
highly privileged, have their bellows, the lungs, which send forth a
column of vibrating air. There is no comparison possible. Let us return
to the insects.

One of these, though inferior in size and no less sparingly equipped,
greatly surpasses the Grasshopper in nocturnal rhapsodies. I speak of
the pale and slender Italian Cricket (Oecanthus pellucens, Scop.), who
is so puny that you dare not take him up for fear of crushing him. He
makes music everywhere among the rosemary-bushes, while the Glow-worms
light up their blue lamps to complete the revels. The delicate
instrumentalist consists chi