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ed, warm, impulsive, quick to quarrel or to love, faithful, brave; ready with sword or song to battle with all comers, or to seek adventure wheresoever it might be found. They leave Iceland young, and wander at their will to different courts of northern Europe, where they are always held in high honour. Gunnlaug Worm-tongue (12) in 1004 came to England, after being in Norway, as the saga says:--"Now sail Gunnlaug and his fellows into the English main, and come at autumntide south to London Bridge, where they hauled ashore their ship. Now, at that time King Ethelred, the son of Edgar, ruled over England, and was a good lord; the winter he sat in London. But in those days there was the same tongue in England as in Norway and Denmark; but the tongues changed when William the Bastard won England, for thenceforward French went current there, for he was of French kin. Gunnlaug went presently to the king, and greeted him well and worthily. The king asked him from what land he came, and Gunnlaug told him all as it was. 'But,' said he, 'I have come to meet thee, lord, for that I have made a song on thee, and I would that it might please thee to hearken to that song.' The king said it should be so, and Gunnlaug gave forth the song well and proudly, and this is the burden thereof-- "'As God are all folk fearing The fire lord King of England, Kin of all kings and all folk, To Ethelred the head bow.' The king thanked him for the song, and gave him as song-reward a scarlet cloak lined with the costliest of furs, and golden-broidered down to the hem; and made him his man; and Gunnlaug was with him all the winter, and was well accounted of. The poems in this volume are part of the wonderful fragments which are all that remain of ancient Scandinavian poetry. Every piece which survives has been garnered by Vigfusson and Powell in the volumes of their "Corpus", where those who seek may find. A long and illustrious line of poets kept the old traditions, down even to within a couple centuries, but the earlier great harvest of song was never again equalled. After christianity had entered Iceland, and that, with other causes, had quieted men's lives, although the poetry which stood to the folk in lieu of music did not die away, it lost the exclusive hold it had upon men's minds. In a time not so stirring, when emotion was not so fervent or so swift, when there was less to quicken the blood, the story that had before
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