ts--incessantly confounding the natural
boundaries! At first sight, the whole period, the whole state of the
world, seems to offer no more secure footing to an historical adventurer
than the chaos of Milton--to be in a state of irreclaimable disorder,
best described in the language of the poet:--

"A dark Illimitable ocean, without bound,
Without dimension, where length, breadth, and height,
And time, and place, are lost: where eldest Night
And Chaos, ancestors of Nature, hold
Eternal anarchy, amidst the noise
Of endless wars, and by confusion stand."

We feel that the unity and harmony of narrative, which shall comprehend
this period of social disorganization, must be ascribed entirely to the
skill and luminous disposition of the historian. It is in this sublime
Gothic architecture of his work, in which the boundless range, the
infinite variety, the, at first sight, incongruous gorgeousness of
the separate parts, nevertheless are all subordinate to one main and
predominant idea, that Gibbon is unrivalled. We cannot but admire the
manner in which he masses his materials, and arranges his facts in
successive groups, not according to chronological order, but to their
moral or political connection; the distinctness with which he marks his
periods of gradually increasing decay; and the skill with which, though
advancing on separate parallels of history, he shows the common tendency
of the slower or more rapid religious or civil innovations. However
these principles of composition may demand more than ordinary attention
on the part of the reader, they can alone impress upon the memory the
real course, and the relative importance of the events. Whoever would
justly appreciate the superiority of Gibbon's lucid arrangement, should
attempt to make his way through the regular but wearisome annals of
Tillemont, or even the less ponderous volumes of Le Beau. Both these
writers adhere, almost entirely, to chronological order; the consequence
is, that we are twenty times called upon to break off, and resume the
thread of six or eight wars in different parts of the empire; to suspend
the operations of a military expedition for a court intrigue; to hurry
away from a siege to a council; and the same page places us in the
middle of a campaign against the barbarians, and in the depths of the
Monophysite controversy. In Gibbon it is not always easy to bear in mind
the exact dates but the course of events is