e, and that
in 1595, after they had separated from Henslowe, it was revised and
presented as a new play by the Lord Admiral's company. It is quite
likely that it was the property of Pembroke's company in 1592-93. The
allusion to Shakespeare in this play is probably the first evidence we
possess of the well-authenticated fact that as an actor he usually
appeared in kingly parts. It is recorded of him that he played the part
of the ghost in _Hamlet_, and his friend, John Davies, the poet, writes
in 1603:
"Some say, good Will, which I in sport do sing,
Hadst thou not played some kingly parts in sport,
Thou hadst been a companion for a King."
The reference to his name by Peele in _Edward I._, in which play
Shakespeare evidently took the part of John Baliol, the Scottish King,
is as follows:
"Shine with thy golden head,
_Shake_ thy _speare_, in honour of his name,
Under whose royalty thou wear'st the same."
Against the assumption that Shakespeare acted with Lord Strange's
company under Alleyn and Henslowe for two years, there is some positive,
and much inferential, evidence, the strongest of the latter being that
between the end of 1590 and the middle of 1594, at about which latter
date the Lord Chamberlain's company parted from Henslowe, Shakespeare
produced,--as I shall later demonstrate,--in addition to _Venus and
Adonis_, _Lucrece_, and nearly half of the whole body of his _Sonnets_,
at least seven new plays, not one of which was performed at the Rose by
Lord Strange's company. The remainder of the evidence against this
assumption shall develop in this history.
We may infer that Henslowe in entering into business relations with Lord
Strange's company would make quite as binding a contract with them as we
find him making a few years later with the Lord Admiral's men. In those
contracts he binds the players to play at the Rose and "at no other
house publicly about London"; further stipulating that should the London
theatres be closed by the authorities for any reason "then to go for the
time into the country, then to return again to London."
The fact that his manager, and son-in-law, Edward Alleyn, accompanied
Lord Strange's men upon their provincial tour in 1593, when, owing to
the plague, the London theatres were closed by order of the Council,
implies a similar understanding with this company.
The words "in any other house publicly about London" in Henslowe's
contracts with
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