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e's plays any such topical significance. This attitude of the critics is due largely to neglect or ignorance of contemporary history, and also to the lack of a proper understanding of the chronological order in which the plays were produced, and their consequent inability to synchronise the characters or action of the plays, with circumstances of Shakespeare's life, or with matters of contemporary interest, as well as to the masterly objective skill by which he disguised his intentions, in order to protect himself and his company from the stringent statutes then in force, prohibiting the presentation of matters concerning Church or State upon the stage. CHAPTER VII THE INCEPTION OF THE FRIENDSHIP BETWEEN SHAKESPEARE AND THE EARL OF SOUTHAMPTON 1591-1594 A few months after the publication of Greene's _A Groatsworth of Wit_, Henry Chettle issued a book entitled _Kinde Heartes Dreame_, to which he prefaced an apology for publishing Greene's attack upon Shakespeare. He writes: "I am as sorry as if the original fault had been my fault, because myselfe have seene his demeanour no lesse civill than he exelent in the qualitie he professes, besides divers of worship have reported his uprightnes of dealing, which argues his honesty, and his facetious grace in writing that approoves his art." When critically examined, these references to Shakespeare take on a somewhat greater biographical value than has usually been claimed for them. Agreeing with the assumption that Shakespeare left Stratford between 1586 and 1587,--that is, at between the ages of twenty-two and twenty-three years,--we are informed by these allusions, that by the time he had reached his twenty-eighth year he had attained such social recognition as to have enlisted in his behalf the active sympathies of "divers of worship,"--that is, men of assured social prestige and distinction,--whose protest against Greene's attack evidently induced Chettle's amends. Chettle's book was published in December 1592; just four months later, in April 1593, _Venus and Adonis_ was licensed for publication, and shortly afterwards was issued with the well-known dedication to Henry Wriothesley, Earl of Southampton. It is reasonable to assume that this poem and its dedication had been submitted in MS. to Southampton and held some time previous to the date of the application for licence to publish, and that his favour was well assured before the poem was finally let go t
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