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hen snow fell with old fashioned violence, and Third Street was convulsed by old-fashioned panics, when everybody went mad over Offenbach, when one started for New York from the Walnut Street Ferry, when George Boker was writing his dramas and George Childs was beginning to play the public Maecenas." Oftentimes the sturdy figure of Walt Whitman could be seen walking on Broad Street, while Horace Greely, buried in newspapers, travelled aboard a boat between New York and Philadelphia. It was the Civil War that not only turned Boker's pen to the Union Cause, but changed him politically from a Democrat to a staunch Republican. In fact, his name is closely interwoven with the rehabilitation of the Republican party in Philadelphia. He often confessed that his conscience hurt him many times when he realized he cast his first vote for Buchanan. "After that," he is quoted as having said, "the sword was drawn; it struck me that politics had vanished entirely from the scene--that it was now merely a question of patriotism or disloyalty." His "Poems of the War," issued in 1864, contained such examples of his martial and occasional ability as the "Dirge for a Soldier," "On the Death of Philip Kearney" and "The Black Regiment," besides "On Board the Cumberland" and the "Battle of Lookout Mountain." About this time, there was founded the Union League Club, with Boker as the leading spirit; through his efforts the war earnestness of the city was concentrated here; from 1863-71 he served as its secretary; from 1879-84 as its President; and his official attitude may be measured in the various annual reports of the organization. But even in those strenuous days--at the period when the Northern spirits lagged over military reverses, and at the time when the indecision of General McClellan drew from him the satiric broadside,--"Tardy George"--privately printed in 1865--Boker's thoughts were concerned with poetry. His official laureate consciousness did not serve to improve the verse. His "Our Heroic Themes"--written for the Harvard Phi Beta Kappa--was mediocre in everything but intent, recalling what Taylor wrote to him: "My Harvard poem, [he had read it in 1850 before the same fraternity] poor as it is, was received with great applause; but, alas! I published it, and thus killed the tradition of its excellence, which, had I not done so, might still have been floating around Harvard." In 1869, Boker issued "Koenigsmark, The Legend of
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