ossible Cuts--"Grozeing"--Defects of the
Wheel--The Actual Nature of a "Cut" in
Glass 33

CHAPTER III

Painting (elementary)--Pigments--Mixing--How to
Fill the Brush--Outline--Examples--Industry--The
Needle and Stick--Completing the Outline 56

CHAPTER IV

Matting--Badgering--How to preserve Correctness of
Outline--Difficulty of Large Work--Ill-ground
Pigment--The Muller--Overground Pigment--Taking
out Lights--"Scrubs"--The Need of a
Master 72

CHAPTER V

Cutting (advanced)--The Ideal Cartoon--The Cut-line--Setting
the Cartoon--Transferring the Cut-line
to the Glass--Another Way--Some Principles
of Taste--Countercharging 83

CHAPTER VI

Painting (advanced)--Waxing-up--Cleanliness--Further
Methods of Painting--Stipple--Dry
Stipple--Film--Effects of Distance--Danger of
Over-Painting--Frying 94

CHAPTER VII

Firing--Three Kinds of Kiln--Advantages and Disadvantages--The
Gas-Kiln--Quick Firing--Danger--Sufficient
Firing--Soft Pigments--Difference in
Glasses--"Stale" Work--The Scientific Facts--How
to Judge of Firing--Drawing the Kiln 105

CHAPTER VIII

The Second Painting--Disappointment with Fired
Work--A False Remedy--A Useful Tool--The
Needle--A Resource of Desperation--The Middle
Course--Use of the Finger--The Second Painting--Procedure 118

CHAPTER IX

Of Staining and Aciding--Yellow Stain--Aciding--Caution
required in Use--Remedy for Burning--Uses
of Aciding--Other Resources of Stained
Glass Work 129

CHAPTER X

Leading-Up and Fixing--Setting out the Bench--Relation
of Leading to mode of Fixing in the
Stone--Process of Fixing--Leading-Up Resumed--Straightening
the Lead--The "Lathykin"--The
Cutting-Knife--The Nails--The Stopping-Knife--Knocking
Up 133

CHAPTER XI

Soldering--Handling the Leaded Panel--Cementing--Recipe
for Cement--The Brush--Division of
Long Lights into