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ioned and "fuller," in dressmakers' parlance, than anything dared by Fay Templeton. But the Jeypore beauty's real passion is for gold and silver jewelry, and she carries this to a degree unrivaled by the women of any other section of India. It is not trifling with fact to say that the average Rajput woman wears from eight to ten pounds in silver on ankles and toes, and bracelets enough to sheath arms from wrist to elbow. Every feminine Jeypore nose bears some metal ornamentation--gold studs through the nostrils, and generally a hoop of gold depending a full inch below the point of the chin. Their ears are deformed by the wealth of metal hanging from lobe or strung on the upper rim of that organ. It can be said of Jeypore's fair sex that they are bimetallists in the strictest sense. The argument of the savings-bank has probably never been brought to their attention, for when one of them has a little money ahead she purchases a silver ornament for her person; and if a windfall come to her by legacy or otherwise, she buys something of gold, most likely a necklace of barbaric design. When one of these women goes to the market-place or the public well, she wears everything of value she possesses, and for the best of reasons her home is never pilfered. Rajput men and women look a visitor in the face, and by their smiling countenances seem to welcome you to their country. They lack the broken-spirited look and sullen servility of Indian peoples overlorded by Thomas Atkins. In Jeypore there are grandees and warriors, painted dogs, hunting leopards, bedecked horses, and hulking elephants in every street picture--and these pictures change with the facility of groupings of the kaleidoscope. The open-air shops of the metal workers and enamelers, and of the dyers, whose favorite colors are magenta and yellow, are interesting. There, on the left, is the imposing facade of the Palace of the Winds, extolled by Sir Edwin Arnold as "a vision of daring and dainty loveliness," but which in reality is scarcely more than a mask of stucco erected to make a show from the street. The Maharajah's palace and grounds cover a seventh of the area of this finest of modern Hindu cities. A stone's throw from the palace portal is a temple wherein Jeypore women beseech the image of Siva to bless them with children: and elsewhere are a Gate of Rubies, and a Temple of the Sun. At scores of wayside shops tiny idols of the Hindu hierarchy, and silver brac
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