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ble. The man who can most vividly set forth facts and transfer nature to paper, seldom misses variety. We rejoice that this work has met with such favorable reception from the public, and are happy to state that the author will continue his contributions to these columns. He has already, by a single effort, established a wide-spread reputation, and we know that he has that in him which will induce efforts of equal merit and a future which will be honorably recorded in histories of the literature of the present day. THOMAS HOOD'S WORKS. Volume IV. Aldine Edition. Edited by EPES SARGENT. New-York: G. P. Putnam. Boston: A. K. Loring. 1862. No better paper, no better type, can be desired than what is lavished upon these beautiful editions of Putnam's works. It is a pleasure to touch their silky, Baskerville-feeling leaves, and think that one possesses in the series one more work _de luxe_, which 'any one' might be glad to own. The present consists of The Whims and Oddities, with the--originally--two volumes of National Tales: the former piquant and variously eccentric; the latter written in a quaint, old-fashioned style, which the editor compares justly to that of BOCCACCIO, yet which was really, till within some fifty years, so very common a form of narration, having so much in common with Spanish and French _nouvelettes_, that it is hardly worth while to suppose that HOOD followed the great. Italian at all. The whole work is one mass of entertainment, none the worse for having acquired somewhat of a game-y flavor of age, and for gradually falling a little behind the latest styles of humor. 'Mass! 'tis a merry book, and will make them merry who read it!' THE WORKS OF THOMAS HOOD. Edited by EPES SARGENT. Vol. V. New-York: G. P. Putnam. 1862. The present volume of Hood's writings is composed of dramatic sketches, odes, political satires, and miscellaneous pieces not generally contained in former collections of his works. Among these is the long and beautiful 'Lamia' in dramatic form; the 'Epping Hunt;' the poems of sentiment; the inimitable Odes and Addresses to Great People, and some scores of minor poems, mostly humorous, including, however, all of those on which his reputation as a true poet of the highest rank is based. Among these is the 'Lay of the Laborer,' a standing and bitter reproach to England--the England of millions of pounds of capital--the England of piety--the England of m
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