play were open to objections on account of immodesty, but when
no ladies are present I presume a Chinese audience is not fastidious.
The comedy was followed by something serious, of which I was unable to
learn the name. I supposed it represented the superiority of the
deities over the living things of earth.
First, there came representations of different animals. There were the
tiger, bear, leopard, and wolf, with two or three beasts whose genera
and species I could not determine. There was an ostrich and an
enormous goose, both holding their heads high, while a crocodile, or
something like it, brought up the rear. Each beast and bird was made
of painted cloth over light framework, with a man inside to furnish
action. While the tiger was making himself savage the mask fell off,
and revealed the head of a Chinese. A rent in the skin of the ostrich
disclosed the arm of the performer inside. The animals were not very
well made, and the accident to the tiger's head reminded me of the
Bowery elephant whose hind legs became very drunk and fell among the
orchestra, leaving the fore legs to finish the play.
[Illustration: CHINESE TIGER.]
Each animal made a circuit of the stage, bowed to the sargoochay, and
retired. Then came half a dozen performers, only one being visible at
a time. They were dressed, as I conjectured, to represent Chinese
divinities, and as each appeared upon the stage he made a short
recitation in a bombastic tone. The costumes of these actors were
brilliantly decorated with metal ornaments, and there was a luxuriance
of beard on most of the performer's faces, quite in contrast to the
scanty growth which nature gave them. When the deities were assembled
the animals returned and prostrated themselves in submission. A second
speech from each actor closed the theatrical display. During all the
time we sat under the pavilion the crowd looked at me far more
intently than at the stage. An American was a great curiosity in the
city limits of Maimaichin.
The performance began about two o'clock and lasted less than an hour.
At its close we thanked the sargoochay for his courtesy, and returned
to Kiachta. One of my Russian acquaintances had invited me to dine
with him; "you can dine with the sargoochay at one o'clock," he said,
"and will be entirely able to enjoy my dinner two hours later." I
found the dinner at Maimaichin more pleasing to the eye than the
stomach, and returned with a good appetite.
Some ye
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