FREE BOOKS

Author's List




PREV.   NEXT  
|<   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259  
260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   >>   >|  
play were open to objections on account of immodesty, but when no ladies are present I presume a Chinese audience is not fastidious. The comedy was followed by something serious, of which I was unable to learn the name. I supposed it represented the superiority of the deities over the living things of earth. First, there came representations of different animals. There were the tiger, bear, leopard, and wolf, with two or three beasts whose genera and species I could not determine. There was an ostrich and an enormous goose, both holding their heads high, while a crocodile, or something like it, brought up the rear. Each beast and bird was made of painted cloth over light framework, with a man inside to furnish action. While the tiger was making himself savage the mask fell off, and revealed the head of a Chinese. A rent in the skin of the ostrich disclosed the arm of the performer inside. The animals were not very well made, and the accident to the tiger's head reminded me of the Bowery elephant whose hind legs became very drunk and fell among the orchestra, leaving the fore legs to finish the play. [Illustration: CHINESE TIGER.] Each animal made a circuit of the stage, bowed to the sargoochay, and retired. Then came half a dozen performers, only one being visible at a time. They were dressed, as I conjectured, to represent Chinese divinities, and as each appeared upon the stage he made a short recitation in a bombastic tone. The costumes of these actors were brilliantly decorated with metal ornaments, and there was a luxuriance of beard on most of the performer's faces, quite in contrast to the scanty growth which nature gave them. When the deities were assembled the animals returned and prostrated themselves in submission. A second speech from each actor closed the theatrical display. During all the time we sat under the pavilion the crowd looked at me far more intently than at the stage. An American was a great curiosity in the city limits of Maimaichin. The performance began about two o'clock and lasted less than an hour. At its close we thanked the sargoochay for his courtesy, and returned to Kiachta. One of my Russian acquaintances had invited me to dine with him; "you can dine with the sargoochay at one o'clock," he said, "and will be entirely able to enjoy my dinner two hours later." I found the dinner at Maimaichin more pleasing to the eye than the stomach, and returned with a good appetite. Some ye
PREV.   NEXT  
|<   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259  
260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   >>   >|  



Top keywords:

animals

 

sargoochay

 

returned

 

Chinese

 

inside

 

ostrich

 

Maimaichin

 

performer

 

dinner

 

deities


prostrated

 

recitation

 

closed

 
submission
 

divinities

 

appeared

 
bombastic
 
speech
 

costumes

 

contrast


scanty

 

ornaments

 
growth
 

luxuriance

 

theatrical

 

decorated

 

actors

 

nature

 

brilliantly

 

assembled


limits

 

invited

 

Kiachta

 

courtesy

 

Russian

 

acquaintances

 

stomach

 

appetite

 

pleasing

 

intently


American

 

looked

 

During

 
pavilion
 

curiosity

 

thanked

 

lasted

 

represent

 
performance
 
display