d-bye, Miss Crawshaw.
VIOLA. Just say it to see how it sounds.
CLIFTON. Good-bye, Miss Wurzel-Flummery.
VIOLA. (smiling happily). No, not Miss, Mrs.
[She goes out.]
CLIFTON. (looking in surprise from her to him). You don't mean--
RICHARD. Yes; and I'm taking the money after all, Mr. Clifton.
CLIFTON. Dear me, what a situation! (Thoughtfully to himself) I wonder
how a rough scenario would strike the managers.
RICHARD. Poor Mr. Clifton!
CLIFTON. Why poor?
RICHARD. You missed all the best part. You didn't hear what I said to
Crawshaw about money before you came.
CLIFTON (thoughtfully). Oh I was it very--(Brightening up) But I expect
Uncle Antony heard. (After a pause) Well, I must be getting on. I wonder
if you've noticed any important papers lying about, in connection with
the Great Missenden Canal Company--a most intricate case, in which my
clerk and I--(He has murmured himself across to the fireplace, and the
fragments of his important case suddenly catch his eye. He picks up one
of the fragments.) Ah, yes. Well, I shall tell my clerk that we lost the
case. He will be sorry. He had got quite fond of that canal. (He turns
to go, but first says to MERITON) So you're taking the money, Mr.
Meriton?
RICHARD. Yes.
CLIFTON. And Mr. Crawshaw too?
RICHARD. Yes.
CLIFTON (to himself as he goes out). They are both taking it. (He stops
and looks up to UNCLE ANTONY with a smile.) Good old Uncle Antony--he
knew--he knew! (MERITON stands watching him as he goes.)
THE LUCKY ONE
A PLAY IN THREE ACTS
CHARACTERS.
GERALD FARRINGDON.
BOB FARRINGDON (his elder brother).
SIR JAMES FARRINGDON (his father).
LADY FARRINGDON (his mother).
MISS FARRINGDON (his great-aunt).
PAMELA CAREY (his betrothed).
HENRY WENTWORTH (his friend).
THOMAS TODD (his friend).
LETTY HERBERT (his friend).
MASON (his old nurse).
ACT I. At SIR JAMES FARRINGDON'S in the country.
ACT II. A private hotel in Dover Street. Two months later.
ACT III. At SIR JAMES FARRINGDON'S again. Three months later.
ACT I
[SCENE.--The hall of SIR JAMES FARRINGDON'S house in the country.]
[It is a large and pleasantly unofficial sort of room, used as a
meeting-place rather than a resting place. To be in it pledges you to
nothing; whereas in the billiard-room you are presumably pledged to
billiards. The French windows at the back open on to lawns; the door on
the r
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