sta T. Drane's
"History of St. Dominic," by courtesy of the author and the publishers,
Longmans, Green & Co., of London and New York.

["Although several so-called portraits (of St. Dominic) are
preserved, yet none of them can be regarded as the _vera
effigies_ of the saint, though that preserved at Santa Sabina
probably presents us with a kind of traditionary
likeness."]--_History of St. Dominic_.

[In the "History of St. Dominic," on page 226, the author
credits the portrait shown to "Bozzani." We are unable to
find any record of a painter by that name. Nagler, however,
tells of a painter of portraits and historical subjects,
Carlo Bozzoni by name, who was born in 1607 and died in 1657.
He was a son of Luciano Bozzoni, a Genoese painter and
engraver. He is said to have done good work, but no other
mention is made of him.]

IGNATIUS DE LOYOLA, . . . . . . . . . . . 261

After the engraving by Greatbach, "from a scarce print by H.
Wierz." Originally published by Richard Bentley, London, in 1842.

[W. Greatbach was a London engraver in the first half of the
nineteenth century. He worked chiefly for the "calendars" and
"annuals" of his time, and did notable work for the general
book trade of the better class.]

[A search of the authorities does not reveal an engraver
named "H. Wierz." This is probably intended for Hieronymus
Wierex (or Wierix, according to Bryant), a famous engraver,
born in 1552, and who is credited by Nagler, in his
"Kuenstler-Lexikon," with having produced "a beautiful and
rare plate" of "St. Ignaz von Loyola." The error, if such it
be, is easily explained by the fact that portrait engravers
seldom cut the lettering of a plate themselves, but have it
engraved by others, who have a special aptitude for making
shapely letters.]

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