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eem to me to be masterpieces of their kind. Personally my choice would rest on the last, "The Thrush in the Hedge," a simple history of how the voice of a young tramp was revealed by his chance meeting with a blind and drug-sodden fiddler who had once played in opera--a thing of such unforced art that its concluding pages, when the discovery is put to a final test, shake the mind with apprehension and hope. A writer who can make a short story do that comes near to genius. * * * * * If you wish to play the now fashionable game of newspaper-proprietor-baiting you can, with Miss ROSE MACAULAY, create a possible but not actual figure like _Potter_ and, using it for stalking-horse, duly point your moral; or, with Mr. W. L. GEORGE in _Caliban_ (METHUEN), you can begin by mentioning all the well-known figures in the journalistic world by way of easy camouflage, so as to evade the law of libel, call your hero-villain _Bulmer_, attach to him all the legends about actual newspaper kings, add some malicious distortion to make them more exciting and impossible, and thoroughly let yourself go. Good taste alone will decide which is the cleaner sport, and good taste does not happen to be the fashion in certain literary circles at the moment. Of course Mr. GEORGE, being a novelist of some skill, has provided a background out of his imagination. The most interesting episode, excellently conceived and worked out, is the only unsuccessful passage in _Lord Bulmer's_ life, the wooing of _Janet Willoughby_. The awkward thing for Mr. GEORGE is that he has so splashed the yellow over _Bulmer_ in the office that there is no use in his pretending that the _Bulmer_ in _Mrs. Willoughby's_ drawing-room is the same man in another mood. He just isn't. Incidentally the author gives us the best defence of the saffron school of journalism I've read--a defence that's a little too good to believe; and some shrewd blows above (and, as I have hinted, occasionally below) the belt. * * * * * I want to give the epithet "lush" to _The Breathless Moment_ (LANE), and, although the dictionary asks me as far as in me lies to reserve that adjective for grass, I really don't see why, just for once, I shouldn't do what I like with it. Lush grass is generally long and brightly coloured--"luxuriant and succulent," the dictionary says--and that is exactly what MISS MURIEL HINE'S book is. She tells the
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