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r, in the matter of ability far in advance of either of his partners, Brown or Brown. "Dear me," he said, "dear me, dear me! This is very sad, very sad--very sudden too, very sudden. And what--tut, tut, dear, dear, let me see--what was the cause of--ah! What was the cause--what was it that occasioned the--how did your master come to die? Yes, how did your master come to die?" * * * * * "What is it all about?" asks the reader. Well, it is not quite so meaningless as it may appear; there is method in the madness; for this is a passage from a story by one of the most popular English authors in America, to whom an American editor has offered twenty cents a word. At the present rate of exchange such commissions are not to be trifled with. * * * * * "Wanted, experienced Parlourmaid for a good home, where the household does not change."--_Local Paper._ Apparently "no washing." * * * * * [Illustration _Cheerful Sportsman._ "HULLO, PADRE! I SEE YOUR LATE COLLEAGUE HAS GONE ON AHEAD."] * * * * * OUR BOOKING-OFFICE. (_By Mr. Punch's Staff of Learned Clerks._) MR. JOSEPH HERGESHEIMER, for whose work as a novelist I have more than once expressed high admiration, has now brought together seven long-short stories under the collective title of _The Happy End_ (HEINEMANN). Lest however this name and the little preface, in which the writer asserts that his wares "have but one purpose--to give pleasure," should lead you to expect that species of happy ending in which Jack shall have Jill and naught shall go ill, I think a word of warning may not be wasted. In only three of the tales is the finish a matter of conventional happiness. Elsewhere you have a deserted husband, who has tracked his betrayer to a nigger saloon in Atlantic City, wrested from his purpose of murder by a revivalist hymn; a young lad, having avenged the destruction of his home, returning to his widowed mother to await, one supposes, the process of the law; or an over-fed war profiteer stricken with apoplexy at sight of a boat full of the starved victims of a submarine outrage. You observe perhaps that the epithet "happy" is one to which the artist and the casual reader may attach a different significance. But let not anything I have said be considered as reflecting upon the tales themselves, which indeed s
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