stubborn things,' and that, as the whole narrative has probably
arisen from forgetfulness of the meaning of language, the secret of a
myth must be sought in analysis of the proper names of the persons. On
this principle Mr. Max Muller interprets the myth of Urvasi and
Pururavas, their loves, separation, and reunion. Mr. Muller says that
the story 'expresses the identity of the morning dawn and the evening
twilight.' {68} To prove this, the names are analysed. It is Mr.
Muller's object to show that though, even in the Veda, Urvasi and
Pururavas are names of persons, they were originally 'appellations'; and
that Urvasi meant 'dawn,' and Pururavas 'sun.' Mr. Muller's opinion as
to the etymological sense of the names would be thought decisive,
naturally, by lay readers, if an opposite opinion were not held by that
other great philologist and comparative mythologist, Adalbert Kuhn.
Admitting that 'the etymology of Urvasi is difficult,' Mr. Muller derives
it from 'uru, wide ([Greek]), and a root as = to pervade.' Now the dawn
is 'widely pervading,' and has, in Sanskrit, the epithet uruki,
'far-going.' Mr. Muller next assumes that 'Eurykyde,' 'Eurynome,'
'Eurydike,' and other heroic Greek female names, are 'names of the dawn';
but this, it must be said, is merely an assumption of his school. The
main point of the argument is that Urvasi means 'far-going,' and that
'the far and wide splendour of dawn' is often spoken of in the Veda.
'However, the best proof that Urvasi was the dawn is the legend told of
her and of her love to Pururavas, a story that is true only of the sun
and the dawn' (i. 407).

We shall presently see that a similar story is told of persons in whom
the dawn can scarcely be recognised, so that 'the best proof' is not very
good.

The name of Pururavas, again, is 'an appropriate name for a solar hero.'
. . . Pururavas meant the same as [Greek], 'endowed with much light,'
for, though rava is generally used of sound, yet the root ru, which means
originally 'to cry,' is also applied to colour, in the sense of a loud or
crying colour, that is, red. {69a} Violet also, according to Sir G. W.
Cox, {69b} is a loud or crying colour. 'The word ([Greek]), as applied
to colour, is traced by Professor Max Muller to the root i, as denoting a
"crying hue," that is, a loud colour.' It is interesting to learn that
our Aryan fathers spoke of 'loud colours,' and were so sensitive as to
think violet 'loud.' Besides, P