ation
in the society he receives. He entertains numerously, and no one has more
skilful cooks, or gives better dinners; but he is himself so very
abstemious, in both eating and drinking, that he seldom takes his place
at his own table until the repast is nearly over, having probably dined
in private upon a plain dish or two. He is fond of giving toasts, which
he always prefaces in the most eloquent and appropriate manner; and his
enthusiasm is so great, that he frequently mounts his chair, or the
table, to propose them. Although the cigar is almost universally used in
South America, Bolivar never smokes, nor does he permit smoking in his
presence. He is never without proper officers in waiting, and keeps up a
considerable degree of etiquette. Disinterested in the extreme with
regard to pecuniary affairs, he is insatiably covetous of fame. Bolivar
invariably speaks of England, of her institutions, and of her great men,
in terms of admiration. He often dwells with great warmth upon the
constancy, fidelity, and sterling merit of the English officers who have
served in the cause of independence, under every varying event of the
war. A further proof of his predilection towards England is that he has
always had upon his personal staff a number of British subjects.
--_Memoirs of General Miller_.
* * * * *
Fine Arts.
* * * * *
EXHIBITIONS AT THE BAZAAR,
_Oxford Street_.
THE BRITISH DIORAMA.
On Saturday, the 11th, there was a private view of four new pictures, by
Stanfield and Roberts, at this very interesting lounge. They consist of
1. _The City of York, with the Minster on fire_--a picturesque view of
the cathedral, with a mimic display of the conflagration, the accuracy of
which will make the property-man of the Opera tremble.
2. _The Temple of Apollinopolis, in Egypt_, a magnificent picture of
Egyptian architecture--"noble in decay." The splendid leaved capitals of
the pillars reminded us of the following, which we had that morning read
in the _Journal of a Naturalist_:--"No portion of creation," says the
author, "has been resorted to by mankind with more success for the
ornament and decoration of their labours, than the vegetable world. The
rites, emblems, and mysteries of religion; national achievements,
eccentric marks, and the capricious visions of fancy, have all been
wrought by the hand of the sculptor, on the temple, the alta
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