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ss by leaving you with this kind and worthy father of the poor; you must obey him as you would me. Be a good girl, and behave nicely, and do everything he tells you." "Get the room over mine ready," said the doctor to Fanchette. "Little Flore--I am sure she is worthy of the name--will sleep there in future. To-morrow, we'll send for a shoemaker and a dressmaker. Put another plate on the table; she shall keep us company." That evening, all Issoudun could talk of nothing else than the sudden appearance of the little "rabouilleuse" in Doctor Rouget's house. In that region of satire the nickname stuck to Mademoiselle Brazier before, during, and after the period of her good fortune. The doctor no doubt intended to do with Flore Brazier, in a small way, what Louis XV. did in a large one with Mademoiselle de Romans; but he was too late about it; Louis XV. was still young, whereas the doctor was in the flower of old age. From twelve to fourteen, the charming little Rabouilleuse lived a life of unmixed happiness. Always well-dressed, and often much better tricked out than the richest girls in Issoudun, she sported a gold watch and jewels, given by the doctor to encourage her studies, and she had a master who taught her to read, write, and cipher. But the almost animal life of the true peasant had instilled into Flore such deep repugnance to the bitter cup of knowledge, that the doctor stopped her education at that point. His intentions with regard to the child, whom he cleansed and clothed, and taught, and formed with a care which was all the more remarkable because he was thought to be utterly devoid of tenderness, were interpreted in a variety of ways by the cackling society of the town, whose gossip often gave rise to fatal blunders, like those relating to the birth of Agathe and that of Max. It is not easy for the community of a country town to disentangle the truth from the mass of conjecture and contradictory reports to which a single fact gives rise. The provinces insist--as in former days the politicians of the little Provence at the Tuileries insisted--on full explanations, and they usually end by knowing everything. But each person clings to the version of the event which he, or she, likes best; proclaims it, argues it, and considers it the only true one. In spite of the strong light cast upon people's lives by the constant spying of a little town, truth is thus often obscured; and to be recognized, it needs the i
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