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soundly that I had been perfectly unconscious of the duration of the voyage; and I landed on the quay congratulating myself on having accomplished the most dangerous and most rapid expedition that it ever was my fortune to undertake. MONASTERIES OF THE LEVANT. PART IV. THE MONASTERIES OF MOUNT ATHOS. [Illustration: THE NORTH WEST SIDE OF THE PROMONTORY OF MOUNT ATHOS, WITH A VIEW OF THE THE MONASTERY OF PANTOCRATORAS] CHAPTER XXII. Constantinople--The Patriarch's Palace--The Plague, Anecdotes, Superstitions--The Two Jews--Interview with the Patriarch--Ceremonies of Reception--The Patriarch's Misconception as to the Archbishop of Canterbury--He addresses a Firman to the Monks of Mount Athos--Preparations for Departure--The Ugly Greek Interpreter--Mode of securing his Fidelity. I had been for some time enjoying the hospitality of Lord and Lady Ponsonby at the British palace at Therapia, when I determined to put into execution a project I had long entertained of examining the libraries in the monasteries of Mount Athos. As no traveller had been there since the days of Dr. Clarke, I could obtain but little information about the place before I left England. But the Archbishop of Canterbury was kind enough to give me a letter to the Patriarch of Constantinople, in which he requested him to furnish me with any facilities in his power in my researches among the Greek monasteries which owned his sway. Armed with this valuable document, one day in the spring of the year 1837 I started in a caique with some gentlemen of the embassy, and proceeded to the palace of the Patriarch in the Fanar--a part of Constantinople situated between the ancient city wall and the port so well known by its name of the Golden Horn. The Fanar does not derive its appellation from the word fanar, a lantern or lighthouse, but from the two words _fena yer_, a bad place; for it is in a low, dirty situation, where only the conquered Greeks were permitted to reside immediately after the conquest of their metropolis by the Sultan Mahommed II. The palace is a large, dilapidated, shabby-looking building, chiefly of wood painted black; it stands in an open court or yard on a steep slope, and looks out over some lower houses to the Golden Horn and the hills of Pera and Galata beyond.[12] After waiting a little while in a large, dirty ante-room, during which time there was a scuffling and running u
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