h the names, dress,
gestures, and likeness, in masks, of whomsoever it thought fit to
sacrifice to the public derision. In a state where it was held good policy
to unmask whatever carried the air of ambition, singularity, or knavery,
comedy assumed the privilege to harangue, reform, and advise the people
upon their most important interests. No one was spared in a city of so
much liberty, or rather licentiousness, as Athens was at that time.
Generals, magistrates, government, the very gods were abandoned to the
poet's satirical vein; and all was well received, provided the comedy was
diverting, and the Attic salt not wanting.
In one of these comedies,(195) not only the priest of Jupiter determines
to quit his service, because no more sacrifices are offered to the god;
but Mercury himself comes, in a starving condition, to seek his fortune
amongst mankind, and offers to serve as a porter, sutler, bailiff, guide,
door-keeper; in short, in any capacity, rather than return to heaven. In
another,(196) the same gods, reduced to the extremity of famine, from the
birds having built a city in the air, whereby their provisions are cut
off, and the smoke of incense and sacrifices prevented from ascending to
heaven, depute three ambassadors in the name of Jupiter to conclude a
treaty of accommodation with the birds, upon such conditions as they shall
approve. The chamber of audience, where the three famished gods are
received, is a kitchen well stored with excellent game of all sorts. Here
Hercules, deeply smitten with the smell of roast meat, which he apprehends
to be more exquisite and nutritious than that of incense, begs leave to
make his abode, and to turn the spit, and assist the cook upon occasion.
The other pieces of Aristophanes abound with strokes still more satirical
and severe upon the principal divinities.
I am not much surprised at the poet's insulting the gods, and treating
them with the utmost contempt, as from them he had nothing fear; but I
cannot help wondering at his having brought the most illustrious and
powerful persons of Athens upon the stage, and presuming to attack the
government itself, without any manner of respect or reserve.
Cleon having returned triumphant, contrary to the general expectation,
from the expedition against Sphacteria, was looked upon by the people as
the greatest captain of that age. Aristophanes, to set that bad man in a
true light, who was the son of a tanner, and a tanner himself
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