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The Project Gutenberg EBook of If Winter Don't, by Barry Pain This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: If Winter Don't A B C D E F Notsomuchinson Author: Barry Pain Release Date: December 1, 2008 [EBook #27375] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK IF WINTER DON'T *** Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) IF WINTER DON'T =A.B.C.D.E.F.= =NOTSOMUCHINSON= BY BARRY PAIN NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS Copyright, 1922, by FREDERICK A. STOKES COMPANY All rights reserved First Printing, September 9, 1922 Second Printing, October 19, 1922 Third Printing, November 22, 1922 Fourth Printing, December 5, 1922 Printed in the United States of America _These parodies do good to the book parodied; great good, sometimes; they are kindly meant, and the parodist has usually keenly enjoyed the book of which he sits down to make a fool._ R. L. STEVENSON. PREFATORY NOTE I "IF WINTER COMES" placed its author not only as a Best Seller, but as one of the Great Novelists of to-day. Not always are those royalties crowned by those laurels. Tarzan (of, if I remember rightly, the Apes) never won the double event. And I am told by superior people that, intellectually, Miss Ethel M. Dell takes the hindmost. Personally, I found "If Winter Comes" a most sympathetic and interesting book. I think there are only two points on which I should be disposed to quarrel with it. Firstly, though Nona is a real creation, Effie is an incredible piece of novelist's machinery. Secondly, I detest the utilization of the Great War at the present day for the purposes of fiction. It is altogether too easy. It buys the emotional situation ready-made. It asks the reader's memory to supplement the writer's imagination. And this is not my sole objection to its use. II I wonder if I might, without being thought blasphemous, say a word or two about the Great Novelists of to-day. They have certain point
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