FREE BOOKS

Author's List




PREV.   NEXT  
|<   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69  
70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   >>   >|  
(circa A. D. 1539). Q. Whence does it derive its appellation? A. From the multiplicity, profusion, and minuteness of its ornamental detail, it has by some received the designation of FLORID; by others, from the mullions of the windows and the divisions of ornamental panel-work running in straight or perpendicular lines up to the head, which is not the case in any earlier style, it has been called and is now better known by the designation of the PERPENDICULAR[121-*]. Q. In what respects did it differ from the style which immediately preceded it? A. The beautiful flowing contour of the lines of tracery characteristic of the Decorated style was superseded by mullions and transoms, and, in panel-work, lines of division disposed vertically and horizontally; and in lieu of the quarter-round, semi and tripartite roll and small hollow mouldings of the fourteenth century, angular-edged mouldings with bold cavettos became predominant. Q. Of what kind are the arches of this style? A. Although, in this style, pointed arches constructed from almost every radius are to be found, the complex four-centred arch, commonly called the Tudor arch, was almost peculiar to it; and the cavetto or wide and rather shallow hollow moulding, a characteristic feature of this style, often appears in the architrave mouldings of pier arches, doorways, and windows, and as a cornice moulding under parapets. [Illustration: Window, St. Mary's Church, Oxford.] [Illustration: Mullion, Burford Church, Oxfordshire.] Q. How are the piers of this style, which support the clerestory arches, distinguished from those of an earlier period? [Illustration: Capital, Piddleton Church, Dorsetshire.] A. The section of a pier, which is common in this style, may be described as formed from a square or parallelogram, with the angles fluted or cut in a bold hollow, and on the flat face of each side of the pier a semicylindrical shaft is attached. The flat faces or sides of the pier and the hollow mouldings at the angles are carried up vertically from the base moulding to the spring of the arch, and thence, without the interposition of any capital, in a continuous sweep to the apex of the arch; but the slender shafts attached to the piers have capitals, the upper members of which are angular-shaped. The base mouldings are also polygonal. Piers and arches of this description are numerous, and occur, amongst other churches, in St. Thomas Church, Salisbury;
PREV.   NEXT  
|<   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69  
70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   >>   >|  



Top keywords:

arches

 

mouldings

 
Church
 

hollow

 

moulding

 

Illustration

 

earlier

 
angles
 

vertically

 

characteristic


angular

 

attached

 

called

 
ornamental
 
mullions
 

windows

 

designation

 
Dorsetshire
 

section

 

period


common
 

Capital

 
architrave
 

Piddleton

 

Window

 

Oxfordshire

 

Mullion

 

cornice

 

Burford

 
Oxford

support

 

distinguished

 

parapets

 
clerestory
 

doorways

 
capitals
 
members
 

shaped

 

shafts

 
slender

polygonal

 
churches
 
Thomas
 

Salisbury

 

description

 

numerous

 

continuous

 
appears
 
fluted
 

formed