ctor's very late this afternoon," said Mary. "I suppose he's
been sent for somewhere."
Alice said nothing. She couldn't trust herself to speak. She lived in
sickening fear that on some Wednesday afternoon he would be sent for.
It had never happened yet, but that made it all the more likely that
it had happened now.
They waited till five; till a quarter-past.
"I really can't wait any longer," said Mary, "for a man who doesn't
come."
* * * * *
By that time Rowcliffe and Gwenda were far on the road to Upthorne.
He had overtaken her about a hundred yards above the schoolhouse,
before the road turned to Upthorne Moor.
"I say, how you do sprint up these hills!"
She turned.
"Is that you, Dr. Rowcliffe?"
"Of course it's me. Where are you off to?"
"Upthorne. Anywhere."
"May I come too?"
"If you want to."
"Of course I want to."
"Have you had any tea?"
"No."
"Weren't they in?"
"I didn't stop to ask."
"Why not?"
"Because I saw you stampeding on in front of me, and I swore I'd
overtake you before you got round that corner. And I have overtaken
you."
"Shall we go back? We've time."
He frowned. "No. I never turn back. Let's get on. Get on."
They went on at a terrific pace. And as she persisted in walking about
half a foot in front of him he saw the movement of her fine long limbs
and the little ripple of her shoulders under the gray tweed.
Presently he spoke.
"It wasn't you I heard playing the other night?"
"No. It must have been my youngest sister."
"I knew it wasn't you."
"It might have been for all you knew."
"It couldn't possibly. If you played you wouldn't play that way."
"What way?"
"Your sister's way. Whatever you wanted to do you'd do it beautifully
or not at all."
She made no response. She did not even seem to have heard him.
"I don't mean to say," he said, "that your sister doesn't play
beautifully."
She turned malignly. He liked her when she turned.
"You mean that she plays abominably."
"I didn't mean to _say_ it."
"Why shouldn't you say it?"
"Because you don't say those things. It isn't polite."
"But I know Alice doesn't play well--not those big things. The wonder
is she can play them at all."
"Why does she attempt--the big things?"
"Why does anybody? Because she loves them. She's never heard them
properly played. So she doesn't know. She just trusts to her feeling."
"Is there anything else,
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