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The Project Gutenberg eBook, The Three Sisters, by May Sinclair This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Three Sisters Author: May Sinclair Release Date: April 3, 2004 [eBook #11876] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK THE THREE SISTERS*** E-text prepared by Suzanne Shell, Leah Moser, and Project Gutenberg Distributed Proofreaders THE THREE SISTERS BY MAY SINCLAIR 1914 THE THREE SISTERS I North of east, in the bottom, where the road drops from the High Moor, is the village of Garth in Garthdale. It crouches there with a crook of the dale behind and before it, between half-shut doors of the west and south. Under the mystery and terror of its solitude it crouches, like a beaten thing, cowering from its topmost roof to the bowed back of its stone bridge. It is the last village up Garthdale; a handful of gray houses, old and small and humble. The high road casts them off and they turn their backs to it in their fear and huddle together, humbly, down by the beck. Their stone roofs and walls are naked and blackened by wind and rain as if fire had passed over them. They have the silence, the darkness and the secrecy of all ultimate habitations. North, where the high road begins to rise again, the Vicarage stands all alone. It turns its face toward the village, old and gray and humble as any house there, and looks on the road sideways, through the small shy window of its gable end. It has a strip of garden in front and on its farther side and a strip of orchard at the back. The garden slopes down to the churchyard, and a lane, leading to the pastures, runs between. And all these things of stone, the village, the Vicarage, the church, the churchyard and the gravestones of the dead are alike naked and black, blackened as if fire had passed over them. And in their grayness and their desolation they are one with each other and with the network of low walls that links them to the last solitary farm on the High Moor. And on the breast of the earth they show, one moment, solid as if hewn out of her heart, and another, slender and wind-blown as a tangle of gray thread on her green gown.
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