which he gives, that upwards of fifty Greek authors had treated of this
subject in prose, besides Hesiod and Menecrates the Ephesian, who both
wrote in verse; exclusive likewise of many Roman writers, and of Mago the
Carthaginian, who wrote in the Punic language. Varro's work is divided
into three books, the first of which treats of agriculture; the second,
of rearing of cattle; and the third, of feeding animals for the use of
the table. (67) In the last of these, we meet with a remarkable instance
of the prevalence of habit and fashion over human sentiment, where the
author delivers instructions relative to the best method of fattening
rats.

We find from Quintilian, that Varro likewise composed satires in various
kinds of verse. It is impossible to behold the numerous fragments of
this venerable author without feeling the strongest regret for the loss
of that vast collection of information which he had compiled, and of
judicious observations which he had made on a variety of subjects, during
a life of eighty-eight years, almost entirely devoted to literature. The
remark of St. Augustine is well founded, That it is astonishing how
Varro, who read such a number of books, could find time to compose so
many volumes; and how he who composed so many volumes, could be at
leisure to peruse such a variety of books, and to gain so much literary
information.

Catullus is said to have been born at Verona, of respectable parents; his
father and himself being in the habit of intimacy with Julius Caesar. He
was brought to Rome by Mallius, to whom several of his epigrams are
addressed. The gentleness of his manners, and his application to study,
we are told, recommended him to general esteem; and he had the good
fortune to obtain the patronage of Cicero. When he came to be known as a
poet, all these circumstances would naturally contribute to increase his
reputation for ingenuity; and accordingly we find his genius applauded by
several of his contemporaries. It appears that his works are not
transmitted entire to posterity; but there remain sufficient specimens by
which we may be enabled to appreciate his poetical talents.

Quintilian, and Diomed the grammarian, have ranked Catullus amongst the
iambic writers, while others have placed him amongst the lyric. He has
properly a claim to each of these stations; but his versification being
chiefly iambic, the former of the arrangements seems to be the most
suitable. The princi