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t him the wrong way. I have heard, their domestic symphony was liable to furious flaws,--let us hope at great distances apart:--that 'plates' in presence of the lackeys, actual crockery or metal, have been known to fly from end to end of the dinner-table; nay they mention 'knives' (though only in the way of oratorical action); and Voltaire has been heard to exclaim, the sombre and majestic voice of him risen to a very high pitch: _'Ne me regardez tant de ces yeux hagards et louches,_ Don't fix those haggard sidelong eyes on me in that way!'--mere shrillness of pale rage presiding over the scene. But we hope it was only once in the quarter, or seldomer: after which the element would be clearer for some time. A lonesome literary man, who has got a Brood Phoenix to preside over him, and fly at the face of gods and men for him in that manner, ought to be grateful. "Perhaps we shall one day glance, personally, as it were, into Cirey with our readers;"--Not with this Editor or his!--"It will turn out beyond the reader's expectation. Tolerable illicit resting-place, so far as the illicit can be tolerable, for a lonesome Man of Letters, who goes into the illicit. Helpfulness, affection, or the flattering image of such, are by no means wanting: squalls of infirm temper are not more frequent than in the most licit establishments of a similar sort. Madame, about this time, has a swift Palfrey, 'ROSSIGNOL (Nightingale)' the name of him; and gallops fairy-like through the winding valleys; being an ardent rider, and well-looking on horseback. Voltaire's study is inlaid with--the Grafigny knows all what:--mere china tiles, gilt sculptures, marble slabs, and the supreme of taste and expense: study fit for the Phoebus Apollo of France, so far as Madame could contrive it. Takes coffee with Madame, in the Gallery, about noon. And his bedroom, I expressly discern, [_Letters of Voltaire._] looks out upon a running brook, the murmur of which is pleasant to one." Enough, enough. We can perceive what kind of Voltaire it was to whom the Crown-Prince now addressed himself; and how luminous an object, shining afar out of the solitudes of Champagne upon the ardent young man, still so capable of admiration. Model Epic, HENRIADE; model History, CHARLES DOUZE; sublime Tragedies, CISAR, ALZIRE and others, which readers still know though with less enthusiasm, are blooming fresh in Friedrich's memory and heart; such Literature as man never saw before
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