FREE BOOKS

Author's List




PREV.   NEXT  
|<   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172  
173   174   175   176   177   178   179   180   181   182   >>  
ving with." A brutal way to tell her, no doubt, but admirably courageous. For he was quivering with dread when he said it--the courage of the man who faces a cannon. And here, where a less-poised woman would have broken into speech, Anita took the refuge of her kind and was silent. Stewart watched her as best he could in the darkness, trying to gather further courage to go on. He could not see her face, but her fingers, touching the edge of the chair, quivered. "May I tell you the rest?" "I don't think I want to hear it." "Are you going to condemn me unheard?" "There isn't anything you can say against the fact?" But there was much to say, and sitting there in the darkness he made his plea. He made no attempt to put his case. He told what had happened simply; he told of his loneliness and discomfort. And he emphasized the lack of sentiment that prompted the arrangement. Anita spoke then for the first time: "And when you tried to terminate it she attempted to kill you!" "I was acting the beast. I brought her up here, and then neglected her for you." "Then it was hardly only a business arrangement for her." "It was at first. I never dreamed of any thing else. I swear that, Anita. But lately, in the last month or two, she--I suppose I should have seen that she--" "That she had fallen in love with you. How old is she?" "Nineteen." A sudden memory came to Anita, of a slim young girl, who had watched her with wide, almost childish eyes. "Then it was she who was in the compartment with you on the train coming up?" "Yes." "Where is she now?" "In Vienna. I have not heard from her. Byrne, the chap who came up to see me after the--after the accident, sent her away. I think he's looking after her. I haven't heard from him." "Why did you tell me all this?" "Because I love you, Anita. I want you to marry me." "What! After that?" "That, or something similar, is in many men's lives. They don't tell it, that's the difference. I 'm not taking any credit for telling you this. I'm ashamed to the bottom of my soul, and when I look at your bandaged arm I'm suicidal. Peter Byrne urged me to tell you. He said I couldn't get away with it; some time or other it would come out. Then he said something else. He said you'd probably understand, and that if you married me it was better to start with a clean slate." No love, no passion in the interview now. A clear statement of fact, an offer--his pas
PREV.   NEXT  
|<   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172  
173   174   175   176   177   178   179   180   181   182   >>  



Top keywords:

arrangement

 

darkness

 

watched

 

courage

 

married

 

coming

 

understand

 

Vienna

 

compartment

 

sudden


memory

 

passion

 

Nineteen

 
childish
 

interview

 

bandaged

 
similar
 
difference
 

credit

 

telling


ashamed

 

taking

 
couldn
 

accident

 

bottom

 

Because

 

statement

 

suicidal

 

fingers

 

gather


silent

 

Stewart

 

touching

 

condemn

 

unheard

 

quivered

 

refuge

 

courageous

 

quivering

 

admirably


brutal

 

broken

 

speech

 
poised
 

cannon

 

business

 

neglected

 

brought

 
acting
 
dreamed