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n he remembered, and would have followed her. But she ran into her own cabin and shut the door upon him. His duties compelled him to hurry, for the cable was coming in fast, and overhead the heavy canvas began to rattle and flap in the wind as the schooner swung. He entered the cabin that had been used as a chart room and rummaged the desk for parallel rulers and dividers; but a soft step behind him brought him to a stand quickly. Natalie stood beside him, a soft glow on her face, her eyes shining like stars now, and in her hand she held out a photograph to him. "You said that when next you took this, it would be when I placed it in your cabin," she said, meeting his eyes with a blushing challenge. Their souls met, spoke, and understood. She did not refuse him her lips now but surrendered with glad abandon. The hoarse roar of Rolfe, reporting the anchor apeak, and the bellowing bass of old Bill Blunt giving the word to belay the peak halliards, failed to disturb them. A second shout from the mate was answered by Barry's: "Avast heaving a bit! I'm not ready yet." But Natalie shyly looked up into his face and gave him her first order: "No, Jack, tell them to heave away--that's how you say it, isn't it? Let us hurry home, before I tire of my terrible pirate." "Pirate gladly, girl of mine. Am I not taking gold out of Celebes?" "Sordid creature!" she pouted, averting her lips in mock displeasure. But in her face was a light that shone from her heart, and that heart knew quite well what gold Jack Barry was carrying away from Celebes. End of Project Gutenberg's Gold Out of Celebes, by Aylward Edward Dingle *** END OF THIS PROJECT GUTENBERG EBOOK GOLD OUT OF CELEBES *** ***** This file should be named 25917.txt or 25917.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/5/9/1/25917/ Produced by Audrey Longhurst, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special
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