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ents and their triumphs, doubtless; but they also had their work, domestic, industrial, and sanitary. They knew how to bind up wounds and care for the sick, and we read many records of their knowledge in this department. Elaine, when she found Sir Launcelot terribly wounded in the cave, so skilfully aided him that, when the old hermit came who was learned in all the simples and science of the times, he told the knight that "her fine care had saved his life,"--a pleasing assurance that there were medical men in those days, as well as in our own, who expressed no unwillingness to allow a woman credit for success in their own profession. Illuminated books sometimes show us pictures of women of the humbler ranks of life at their work. On the border of a fine manuscript of the time of Edward IV. there is the figure of a woman employed with her distaff, her head and neck enveloped in a coverchief. The figure rises out of a flower. In a manuscript of 1316, a country-woman is engaged in churning, dressed in a comfortable gown and apron, the gown tidily pinned up, and her head and neck in a coverchief. The churn is of considerable height, and of very clumsy construction. A blind beggar approaches her, led by his dog, who holds apparently a cup in his mouth to receive donations. In another part of the same volume is a beautiful damsel with her hair spread over her shoulders, while her maid arranges her tresses with a comb of ivory set in gold. The young lady holds a small mirror, probably of polished steel, in her hand. Specimens of these curious combs and mirrors yet exist in collections. A century later we see a pretty laundress, holding in her hands a number of delicately woven napkins, which look as if they might have come out of the elaborately carved napkin press of the same period in the collection of Sir Samuel Myrick at Goodrich Court. Although the Knight of the Tower disapproved of young ladies being taught to write, there were women whose employment writing seems to have been; but these were nuns safely shut up from the risk of _billets-doux_. In Dr. Maitland's Essays on the Dark Ages, he quotes from the biography of Diemudis, a devout nun of the eleventh century, a list of the volumes which she prepared with her own hand, written in beautiful and legible characters, to the praise of God, and of the holy Apostles Peter and Paul, the patrons of the monastery, which was that of Wessobrunn in Bavaria. The list compris
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